Ho, I won't troll about conventions, I promise... I think you could see
on IMSLP to see ancient engravings (19th century, Breitkopf, Pleyel,
...) to see that there are a lot of different way to do it, and
especially to see which one is the best for you.
Generally speaking, it depends on what you want the musician to play :
hemiola way, syncopation way, ...
Regards
JMArc
m...@apollinemike.com a écrit :
On May 31, 2011, at 11:17 AM, Xavier Scheuer wrote:
Hi,
I have a question not about LilyPond itself but about notational
conventions (rules). Maybe you know better or I know some have great
references such as Ted Ross or Gardner Read.
In 3/4 times, what would be the recommended notation of the following
rhythm?
\time 3/4
% proposal 1: dotted notes
c4. c4. |
I would never do this unless there was a longer section of hemiolas.
% proposal 2: tied notes
c4~ c8 c8~ c4 |
Lots of info.
% proposal 3: duplet
\times 3/2 { c4 c4 } |
Ditto - only in the case of hemiolas.
% proposal 4: mix (not "symmetric")
c4. c8~ c4 |
This is what I do if there's only one measure.
Cheers,
MS
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