Xavier Scheuer <x.scheuer <at> gmail.com> writes: > On 19 December 2011 09:38, C.Flothow <mini-Flo <at> gmx.de> wrote: > > > > I had read all that and I still don't see anything there that helps > > with my problem! > > Isn't that an instance of issue #1410 ? > http://code.google.com/p/lilypond/issues/detail?id=1410 >
No, the difficulty here is that the main notes (for violin) were not set to be the upper voice (\voiceOne) during the cue notes. Chris missed the fact that in the manual pages that James linked to, the music/rests in parallel with the cueing music are put *inside* the final argument to \cueDuring. That is how LilyPond knows to use \voiceOne temporarily for the main music : \version "2.14.0" Viola = \relative c' { \key g \major s2 r4 d8. c16| b4 b a8. g16 a4| g2| } Violin = \relative c'' { \key g \major \cueDuring #"viola" #DOWN {R1*2| r4 g} d' d } \addQuote "viola" \Viola \new Staff \with { instrumentName = #"Violin" } \Violin Simplifying what Chris had, \new Staff \with { instrumentName = #"Violin" } << \new Voice \killCues \Violin \new Voice \cueDuring #"viola" #DOWN {s1*3} >> the spacer rests were set to avoid the CueVoice, but the main Violin part was left without anything to specify whether it should be upper or lower voice. Cue voices can be tricky to understand, isn't it? _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user