Hi Hwaen,
On Fri, May 11, 2012 at 7:01 PM, Hwaen Ch'uqi <hwaench...@gmail.com> wrote:
> Greetings All,
> In this snippet, the second arpeggio overlaps with the preceding
> cross-staff notation. How may I best solve this? Ideally, I should
> like to shift the second half of the measure to the right. Has the
> solution something to do with padding? My efforts thus far have not
> yielded anything fruitful.
Overriding arpeggio's X-extent (i.e. telling LilyPond that it should
be wider) should do the trick, but unfortunately doesn't. I think
this is a bug; LilyPond doesn't recognize that the last note/chord
before the arpeggio is in the upper staff. A workaround is to insert
something into the bottom voice of the bottom staff and hide it (even
when it's hidden, Lily will consider it when calculating spacing).
I hope this explanation is clear.
Here's an example of such workaround:
\score{
\new PianoStaff<<
\set PianoStaff.connectArpeggios = ##t
\new Staff = up{
\key c \minor \time 2/4 \clef treble \relative{
<<
{
<c>4\arpeggio <d>\arpeggio
}
\\
{
r16 <g, es> \change Staff = down \voiceOne <g, c> \change Staff =
up \voiceTwo <g' es> r <c g f> \change Staff = down \voiceOne <g, c d>
\change Staff = up \voiceTwo <c' g f>
}
>>
}
}
\new Staff = down{
\key c \minor \time 2/4 \clef bass \relative{
<<
{
s2
}
\\
{
<c,, c'>4\arpeggio <d d'>\arpeggio
}
{
s8. \hideNotes r16 \unHideNotes
}
>>
}
}
>>
}
hope this helps,
Janek
PS you should be using \voiceOne instead of \stemUp. The latter
doesn't result in proper placement of articulations and other things.
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