Yes, thanks to Tiresia.  I'll definitely switch to putting (subito) after the 
dynamic.  Having the dynamic right after the hairpin solves all the hairpin 
problems.  I'm just trying to figure out how to easily get the (subito) on the 
same vertical level (consistently) as the dynamic now, while retaining the 
proper position of the dynamic (centered below its note).

On Aug 22, 2012, at 10:32 PM, wjm wrote:

> Taking all that has gone before, where must Curt Siffert place his 'subito' 
> text to make whatever it is he requires musically correct and meaningful? 
> Perhaps a scan of a simple hand-drawn example would suffice, perhaps with a 
> written explanation as well? And what would be the method/LP code to do it?
> (the last is beyong me, I afraid!)
> Regards
> Bill


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