Hello Wim,
Thanks for this fast and detailed answer, it is much appreciated!
I'll put your suggestions in practise.
As for the current numbering error, I can circumvent it temporarily by forcing
the expected numbers explicitly.
A nice day!
Regards,
PS> Is there some site where I could contribute the results of my Lilypondings,
such as the flute and bassoon parts of this Beethoven trio?
Le 29 oct. 2012 à 10:54:14, Wim van Dommelen <m...@wimvd.nl> a écrit :
> Hi Jacques,
>
> I'm not going to answer all your questions, that is just too much. One
> advise: cut things in pieces and look for smaller problems. There is a LP
> problem in the bar numbers in this case (which I really should register as a
> bug, it increases the measure numbers twice for some reason). And indeed
> \partial is NOT usable inside a part, because it was really only intended for
> the beginning to set your barchecks on the right point. But you also don't
> need it.
>
> For example some of your problems around bar 64 can be done like this, no
> errors in my compile (using LP 2.16.0 on OS X):
>
>
> \version "2.16.0"
>
> \relative c {
> % some easy debugging settings:
> \set Score.barNumberVisibility = #all-bar-numbers-visible
> \override Score.BarNumber #'break-visibility = #'#(#t #t #t)
>
> \clef bass
> \key bes \major
> \time 6/8
>
> % because LP will omit this at the beginning of a score,
> % but would show if this was done in the middle:
> \bar "|:"
> \repeat volta 2 {
> % bar number of the partial measure:
> % \set Score.currentBarNumber = #63
> \partial 8 d8\p |
> % bar number of the next full measure:
> \set Score.currentBarNumber = #64
> bes'8( a) bes-. d4. |
> d8( c) d-. ees4. ~ |
> ees8( d) c ~ c bes4 |
> bes4. a8 r d,\f |
> bes'( a) bes-. c4. |
> d8( c) d-. ees4. ~ |
> ees8( d) c ~ c( bes) a-. |
>
> % here you just OMIT the barcheck!
> g r r r4
> }
> \repeat volta 2 {
> % bar number of the partial measure:
> % \set Score.currentBarNumber = #71
> % because it is HERE!
> d'8\p |
> % bar number of the next full measure:
> \set Score.currentBarNumber = #72
> f8( es) d-. d( c) b?-. |
> c16-.\f c,-. d-. ees-. f-.( g-. a-. b?-. c d es8) |
> es(\p b) c-. c( bes?) a-. |
> bes bes c d4 d,8\f |
> bes'( a) bes-. c4. |
> d8( c) d-. es4.\fermata\p |
> d8-. d( c) bes-. bes( a) |
> % and again:
> g4. r4
> }
> \key g \major
> \time 2/4
> \break
> \repeat volta 2 {
> % here is the check:
> s4
> r8 |
> bes8-.\f r d-. r |
> g-. r g-. r |
> g f? e g |
> fis? e d16 r r8 |
> }
> }
>
>
> Notes:
> - Look carefully which barnumer is displayed where before drawing
> conclusions. I did set both the partial bars and the whole bars, you can
> leave out some of the lines, see for yourself;
> - Note the placement of the barchecks, I omit them after for example bar 72
> before the volta ends, because the bar is not full yet, I place it after the
> eight note in the second volta;
> - I substituted "bes8 (a)" for "bes8( a)". Although the second syntax also
> works, I see the "(" symbol attached to notes, because the slurs start on
> these notes;
> - I also substituted "^." for "-.", I let LP find out where to put the dot.
> Only when it goes wrong (which i.m.h.o. is never) I state it explicitly.
>
> The spacing of the s4 (in the 2/4 section) is ugly, but I just placed a
> \break so you see you can determine the line-break yourself. With more note
> it will smooth out more. Otherwise throw out the \break line.
>
> Regards,
> Wim.
>
>
> On 28 Oct 2012, at 21:35 , Jacques Menu wrote:
>
>> Hello folks,
>>
>> I've been using Lilypond for some time, but Beethoven's Trio X für Klavier,
>> Flöte und Fagott causes me much trouble : "\partial" is not usable inside a
>> part, and Thema andante con variazioni contains tricky rehearsals, like:
>>
>> <TrickyRehearsalsWithIncompleteBars.tiff>
>>
>> After fighting a lot with the problem, I found:
>>
>> partialInline = #(define-music-function
>> (parser location nom den mus)
>> (integer? integer? ly:music?)
>> #{
>> \set Score.measurePosition = #(ly:make-moment (- $nom) $den)
>> $mus
>> #}
>> )
>>
>> on the Internet.
>>
>> This helped me obtain the above result, but doesn't solve all issues.
>>
>> In the remainder of the piece, I never figured out how to obtain the
>> transition from variation IV to variation V:
>>
>> <TransitionFromVar4ToVar5.tiff>
>>
>> I always run into messages such as the following (hence my bar numbers are
>> wrong) :
>>
>> Beethoven_WoO37_Fagott_ThemaAndanteConVariazioni.ly:493:16: warning:
>> Barcheck failed got 79 expect 81
>>
>> because I don't know how to specify the correct "size" for the partial bars
>> involved (by the way, bar number 64 is already wrong):
>>
>>
>> <ScoreFragment.tiff>
>>
>>
>>
>> Here is the code I use:
>>
>>
>> \tempoMark #3.0 #"Var. IV"
>>
>> % -------------------------------------------------------------------------
>> \repeat volta 2
>> % -------------------------------------------------------------------------
>> {
>>
>> \partialInline #1 #8
>> d'8\p |
>>
>> \myDisplayBarNum\barNumberCheck #65
>>
>> bes'8 (a) bes^. d4. |
>> d8 (c) d^. ees4. ~ |
>> ees8 (d) c ~ c bes4 |
>> bes4. a8 r8 d,8\f |
>> bes'8 (a) bes^. c4. |
>> d8 (c) d^. ees4. ~ |
>>
>>
>> % -------------------------------------------------------------------------
>> \myBreak\myDisplayBarNum\barNumberCheck #71
>>
>> ees8 (d) c ~ c (bes) a^. |
>> g8 r8 r8 r4
>>
>>
>> % -------------------------------------------------------------------------
>> } %\repeat
>> % -------------------------------------------------------------------------
>>
>> % -------------------------------------------------------------------------
>> \repeat volta 2
>> % -------------------------------------------------------------------------
>> {
>>
>> d'8^.\p |
>> f8 (ees) d^. d (c) b?^. |
>> c16^.\f c,^. d^. ees^. f^. (g^. a^. b? c d ees8 ) |
>> ees8\p (d) c^. c (bes?) a^. |
>>
>>
>> % -------------------------------------------------------------------------
>> \myBreak\myDisplayBarNum\barNumberCheck #76
>>
>> bes8 bes c d4 d,8\f |
>> bes'8 (a) bes^. c4. |
>> d8 (c) d^. ees4.\fermata\p |
>> d8^. d (c) bes^. bes (a) |
>> g4. r4
>>
>> % -------------------------------------------------------------------------
>> } %\repeat
>> % -------------------------------------------------------------------------
>>
>>
>> \key g \major
>> \time 2/4
>>
>>
>> % -------------------------------------------------------------------------
>> \break
>>
>>
>>
>> \tempoMark #3.0 #"Var. V"
>>
>> % -------------------------------------------------------------------------
>> \repeat volta 2
>> % -------------------------------------------------------------------------
>> {
>>
>> \partialInline #1 #8
>> r8 |
>>
>> \myDisplayBarNum\barNumberCheck #81
>>
>> b8^.\f r8 d8^. r8 |
>> g8^. r8 g8^. r8 |
>>
>>
>>
>>
>> A clean solution could be for Lilypond to handle this as is done for slurs,
>> i.e. a set of "markers" such as ( and ) in the latter. I couldn't find
>> anything in this redirection in the docs, though. Is there a hope that
>> Lilypond might go this way?
>>
>>
>>
>> Any help is welcome!
>>
>> Regards,
>>
>>
>> PS> I use Lilypond 2.15.11, since 2.16 and 2.17 fail to launch on Mac OS X
>> 10.8.
>>
>>
>> --
>>
>> Jacques Menu
>> Ch. de la Pierre 12
>> CH 1023 Crissier
>>
>> mailto:jacques.m...@tvtmail.ch
>>
>>
>>
>>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
Bien à toi,
Bien à vous,
--
Jacques Menu
Ch. de la Pierre 12
1023 Crissier
mailto:jacques.m...@tvtmail.ch
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