If in A major then I^3-I^11-I^6? Where presumably the D is just a
passing note between two inversions of A major chord located on a weak
part of the beat and therefore a contrapuntally ambivalent location?
Is this a common notation practice in certain circles?
i have never seen it before, but rarely fiddle with lead sheets.
Try the Lilypond snippet repository.
http://lsr.dsi.unimi.it/LSR/Search which has a large amount of useful
things that can be looked at for all manner of useful things.
Maybe someone else will have a more useful programming insight/
Best of luck
Shane
On Sun, Dec 2, 2012 at 3:17 AM, Barry van Oudtshoorn
<bvanoudtsho...@gmail.com> wrote:
> Hi all,
>
> This is my first post here, so I hope that I'm asking the right sort of
> question in the right sort of way!
>
> I've been using Lilypond for a while now to put together lead sheets, and so
> far, everything's been working really nicely. In a recent piece, though,
> I've come across a situation where I have a chord for which the bass note
> changes rapidly, as below:
>
> \version "2.13.16"
>
> \include "english.ly"
>
> \score { <<
>
> \new ChordNames { \chordmode { a4/csharp a/d a/e } }
>
> \new Staff { \relative c' { csharp4 d e } }
>
>>> }
>
>
> This produces something along the lines of "A/C# A/D A/E". I'm looking for a
> way to have the chord itself brought up above the changing bass; as in
> http://www.barryvan.com.au/wp-content/uploads/2012/12/inversions.png . I've
> looked through the documentation and the snippets, and I can't seem to find
> anything that really relates to this.
>
>
> Any pointers would be great!
>
>
> Barry van Oudtshoorn
> http://barryvan.com.au/
> bvanoudtsho...@gmail.com
>
> _______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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