Meanwhile... here's a code snippet which offers a double-stop bend solution by using multiple (two) voices. It may be of some use to others, who find this thread with the search engine:
I'm using separate sets of 'music data' for the tab and the conventional notes, which I'm pretty sure is not a 'best practice', but sometimes I do it this way. Also, there is a minor spacing issue between staves, but for code clarity I've omitted the easy solution. Let me know if you need it. best, --p ----------<double-stop-bend.ly>------------- \version "2.16.0" \include "bend.ly" notes = \relative c'' { \new Voice << { r16 g'16 (a8 g4) fis16 (gis8. fis4) } \\ { s16 e16 fis8 e4 d16 e8. d4 } >> } tab = \relative c' { \new TabVoice << { \bendOn r16 g'16\2 (a8\2) g4\2 fis16\2 (gis8.\2) (fis4\2) \bendOff } \\ { \bendOn r16 e16\3 (fis8\3) e4\3 d16\3 (e8.\3) \parenthesize d4\3 \bendOff } >> } \score { \new StaffGroup << \new Staff << \notes >> \new TabStaff << \tab >> >> \layout {} % \midi {} } ----------<fin>------------ -- View this message in context: http://lilypond.1069038.n5.nabble.com/Text-on-slurs-faking-bends-etc-tp35037p137267.html Sent from the User mailing list archive at Nabble.com. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user