Hi Rachael, 2013/7/9 Rachael Thomas Carlson <rachael.thomas.carl...@gmail.com>: > Hello All: > > I finished my first transcription with Lilypond a couple of days ago. I am > proud of it. I have realized a couple of flaws since finishing it but since I > do not feel like writing another 5K lines of code for this piece I have > decided that it is done.
Congratulations on finishing the score! > I have found this community extraordinarily helpful. I am excited to > continue working with all of you! And I must say, I have used Finale in > the past but Lilypond surpasses it in almost every way. I have talked > with a fellow fingerstyle buddy of mine who also does transcriptions > (with Finale, though) and he gripes about some of the same stuff but > because he is not able to manipulate how Finale interprets what he is > attempting to tell it he ends up spending many hours attempting to > input something that could be input within an hour with Lilypond (and > emacs/vim). Thanks for your kind words! I have one question: in measure 36 (lower staff), there are two eight notes followed by a half-note chord. One eight note is connected with the chord using a tie, and the other one using a slur. Shouldn't both use ties? I don't see any rearticulation in the tablature. cheers, JAnek _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
