This is from Chopin Ballade 1, measure 170 has <b bes!> and 171 has <a! aes>,
both with accidentals and noteheads arranged in this fashion.
On Wednesday, June 11, 2014 8:51 PM, Mark Stephen Mrotek <carsonm...@ca.rr.com>
wrote:
>
>
>Javier,
>
>Which piece by Chopin is it and what measure?
>
>Mark
>
>From:Javier Ruiz-Alma [mailto:jav...@ruiz-alma.com]
>Sent: Wednesday, June 11, 2014 8:43 PM
>To: 'Mark Stephen Mrotek'; 'LilyPond User Group'
>Subject: RE: Typesetting <b bes!> chord
>
>I dare not question Chopin. Attached is the same passage from a different
>edition of same piece.
>Same concept with yet more acrobatics, using a branched stem (!).
>Javier
>
>From: Mark Stephen Mrotek [mailto:carsonm...@ca.rr.com]
>Sent: Wednesday, June 11, 2014 8:35 PM
>To: 'Javier Ruiz-Alma'; 'LilyPond User Group'
>Subject: RE: Typesetting <b bes!> chord
>
>Javier,
>
>Would you consider < ais! b >?
>
>Mark
>
>From:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org
>[mailto:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] On Behalf Of
>Javier Ruiz-Alma
>Sent: Wednesday, June 11, 2014 7:36 PM
>To: 'LilyPond User Group'
>Subject: Typesetting <b bes!> chord
>
>Need help with notation for a <b! bes!> chord.
>Original typeset places the accidentals to the left of each notehead, while LP
>is bundling accidentals to one side and noteheads in other.
>See attached.
>Thank You
>
>
>
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