Hi Jan-Peter, > I think the most complicated part is addressing multiple voices in one Staff. […] > propably there are more things to modify to make it more intuitive.
I think the stated problem would be solved *AND* the whole machinery made more intuitive by allowing a context to be “direct addressed”, i.e., the context \new Staff = “MyStaff” \someMusic would be mod-ed using something like \editionMod ThisEdition 1 0/4 APiece.MyStaff \override … as opposed to \editionMod ThisEdition 1 0/4 APiece.Staff.B \override … It seems like a very small change — and might mess up your “templating” system(s) — but three obvious and immediate benefits are: the ability to move contexts within the score block without having to recode the edition; the ability to change the type of context without recoding the edition; and the ability to quickly cross-reference a mod with its context (i.e., no need to “count” contexts). Consider it? Thanks, Kieren. _______________________ Kieren MacMillan, composer www: <http://www.kierenmacmillan.info> email: i...@kierenmacmillan.info _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user