Hi folks,
I have a large romantic score in front of me. In the handwritten score
the \partcombine stuff is done inconsistently for unisono sections:
sometimes it's written as one voice with "à 2", sometimes as two voices,
i.e. one notehead with stems up and down. So far I can't see any reason
for this inconsistency.
What would people with more experience with orchestral scores suggest:
- transcribe everything as it is in the model?
- make it consistent:
- use "à 2" always?
- use voices always?
Best
Urs
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