Am 21.10.2014 12:59, schrieb Kieren MacMillan:
Hi Urs,
That's an excellent complement to your already impressive collection of fonts.
I can't stress enough how this should be able to increase LilyPond's acceptance
on the long run!
+1 x 2
BTW: I don’t think I saw a response from you about Abraham’s Henle example
(http://fonts.openlilylib.org/beethoven/Beethoven_Op10No3.pdf).
This can very well be because there just has been to much stuff
recently, and I didn't have an opportunity to make a decent printout ...
What did you think??
Now I *did* two printouts, one scaled to have proportional page margins
and one with original size and cropped margins on A4 paper.
What I *don't* have available is the original score (and I don't want to
use a scan from IMSLP or something like that).
So under this circumstances it looks very convincing, even more with
each time I look again. Maybe the dynamics look slightly thin, but
again, I didn't compare to the original.
What I would like to see now is how arbitrary music looks typeset that
way. I think I'll try to find the time (haha) to enter a few style
studies after Schumann's Carnaval that I have from my time of studies.
Probably they will look even more convincing now ;-)
Best
Urs
Best,
Kieren.
_______________________
Kieren MacMillan, composer
www: <http://www.kierenmacmillan.info>
email: i...@kierenmacmillan.info
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