Mark,
If I understand you correctly, this is because of a single \relative a
the beginning of the polyphony. Yes? Like,
\relative c' {
<<
\new Voice { \voiceOne ... }
\new Voice { \voiceTwo ... }
>>
}
Then, yes, whatever pitch is used last in the \voiceOne section will
determine the relative starting point of the first pitch in the
\voiceTwo section. One workaround that I have used is to do something
like this:
\relative c' {
<<
\new Voice { \voiceOne ... }
\new Voice \relative c' { \voiceTwo ... }
>>
}
Or something like that. That way, the \voiceTwo section will always
start relative to c' instead.
HTH,
Abraham
On Fri, Oct 31, 2014 at 12:20 PM, Mark Stephen Mrotek [via Lilypond]
<ml-node+s1069038n168138...@n5.nabble.com> wrote:
> Hello!
>
>
>
> When inputting code for polyphony, e.g. a fugue, using explicit
> voices (<< \new voice { voiceOne … } \new voice { voiceTwo } >> ),
> the first note of voiceTwo is placed, octave wise, in relation to the
> last note set in voiceOne. As the last note entered in voiceOne
> changes octave, all of voiceTwo moves up or down. The only way I
> could find to avoid this was to set all of voiceOne and then set
> voiceTwo.
>
>
>
> Does an alternative exist?
>
>
>
> Thank you for your kind attention.
>
>
>
> Mark
>
>
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