a short snippet for educational use constitutes fair use. S.
On Sun, Nov 30, 2014 at 10:01 AM, Knute Snortum <ksnor...@gmail.com> wrote: > You are correct; the original is missing a treble clef. I am using an early > edition that has passed into public domain to transcribe, but so far I've > found three errors in the score. I'm using a later edition to double check > from but I'm still transcribing from the earlier one so my transcription is > free of any copyright. I should have using the later edition for the > example. > > > Knute Snortum > (via Gmail) > > On Sun, Nov 30, 2014 at 2:56 AM, Rutger Hofman <rut...@cs.vu.nl> wrote: >> >> Is the original correct? I would guess that a treble clef has been >> forgotten in the upper staff, at the moment the staff is crossed in the >> "grace note" run. How else can the run, and especially the cross-staff >> chords in the last four 1/32 notes make sense? >> >> Rutger >> >> On 11/29/2014 07:49 PM, Knute Snortum wrote: >>> >>> Ah, I see. Use two voices so one is the eighth note and the other is >>> the grace notes with their duration divided over the eighth. This also >>> gets me the slur. Thank you. >>> >>> >>> Knute Snortum >>> (via Gmail) >>> >>> On Sat, Nov 29, 2014 at 10:31 AM, Keith OHara <k-ohara5...@oco.net >>> <mailto:k-ohara5...@oco.net>> wrote: >>> >>> On Sat, 29 Nov 2014 07:44:39 -0800, Knute Snortum >>> <ksnor...@gmail.com <mailto:ksnor...@gmail.com>> wrote: >>> >>> Thank you both for your relies. Keith, your second suggestion >>> is what I >>> need, if I could designate a zero length note. >>> >>> Requirements: >>> >>> * An actual eighth note >>> * Grace notes need to "attached" with a beam to the eighth note >>> * Grace notes add no duration to the measure >>> >>> I've attached a picture of the measure. It has a lot of >>> challenges in it >>> for me. >>> >>> >>> These small notes are not what LilyPond's \grace was designed for, >>> but more like the small-note tuplet that Harm pointed out. We want >>> these note to be spaced across the beat, but more quickly than their >>> visible duration. >>> >>> LilyPond will do most of the beaming you want if you tell her how >>> the music splits into two voices at the E-flat. Ignoring the fact >>> that there are two staves for the moment, try something like this: >>> >>> \version "2.18.2" >>> { >>> \key des\major \clef bass \time 2/4 >>> aes32 bes aes ges >>> << >>> {\voiceTwo ees8 ~ ees4 |} >>> \new Voice { >>> \voiceOne >>> \scaleDurations 4/14 { >>> ees32[ >>> \teeny >>> \override Stem #'no-stem-extend = ##t >>> \override Stem #'length-fraction = #0.7 >>> ges aes bes des' ges, bes, c des f] ges[ bes c' des'] >>> \normalsize >>> \revert Stem #'no-stem-extend >>> \revert Stem #'length-fraction >>> } >>> f'16-> des' >>> c32 des c bes,| } >> } >>> >>> We should probably put a Debussy example in the user manual (if he's >>> in public domain in europe by now) and also make a shorthand for >>> \graceStyleOn \graceStyleOff because often we want the style but do >>> not want LilyPond's \grace timing. >>> >>> >> >> >> _______________________________________________ >> lilypond-user mailing list >> lilypond-user@gnu.org >> https://lists.gnu.org/mailman/listinfo/lilypond-user > > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user