Dear All of you, Thank you very much. I'm richer with two types of solutions One perfect copy http://lsr.di.unimi.it/LSR/Item?id=973 And another with not as complicated demands that Pierre suggested http://www.lilypondforum.de/index.php?topic=1801.msg9962#msg9962
I attache it, for me it is more handy, suitable :-) I'm going to offer my Hungarian friends who also waiting for some kind of solution. Thank you very much in deed! Sister Judit 2015-01-29 3:43 GMT+01:00 Ali Cuota <alicuota...@gmail.com>: > Dear Sr. Judit, > > I thought, there is some kind of reason like this one... > > Honestly, the conventional gregorian typo is almost self-explanatory, > and has a very tough "spelling". I noticed this first when trying to > use another (more lily-friendly than gregorian.ly) system. > But nevertheless, I follow this thread and see if there is an > automagic solution for your use. > > Cordially > > Franck > > 2015-01-28 18:48 GMT-05:00, Trevor Daniels <t.dani...@treda.co.uk>: > > Hi > > > > Bad news, I'm afraid. There is no simple way to change the shape of the > > note heads used in Gregorian ligatures (the things coded as \[ ... \]). > > These ligatures are built up from a wide variety of glyphs in > > Vaticana_ligature_engraver.cc. The whole ligature is then treated as a > > single graphical object so the spacing of its components is not affected > by > > changes in layout. The same applies to Mensural notation. > > > > The work done by Pierre is an excellent start, but as he acknowledged > it's > > not easy to use. If this could be coupled with a suitable input syntax > > which could be interpreted by a music function to invoke the new grobs he > > defined it would be much more usable. As a final stage that could be > > converted into a new engraver. But that is quite a lot of work. > > > > Sorry this is not much help. > > > > Trevor > > > > ----- Original Message ----- > > From: Rita Composer > > To: Pierre Perol-Schneider > > Cc: lilypond-user...@gnu.org ; lilypond-user@gnu.org > > Sent: Wednesday, January 28, 2015 8:24 PM > > Subject: Re: Hungarian Gregorian > > > > > > Hi, > > > > > > Wow, that looks perfect :-) > > My little problem, is that it seems very complicated to me to creat/ > > edit... > > > > > > I was wandering, that could you override melisma setting? > > Because I have problem with the shape of the notes. > > (I don't know the name of this \[ g a h c \] ) > > > > > > I could solve the 5th line, we can override stem. > > I hope it's possible, and I don't have to deal with so complicated > > adjusting. > > > > > > Here is my example again. Where it would be great to change the shape > of > > the classical gregorian notes. > > > > > > Thanks > > Sister Judit > > > > > > chantEgy = \relative c' { > > \override NoteHead.style = #'default > > > > \[ g a h c \] > > > > c h a g \divisioMinima > > > > \[ h4 \virga a g \] d' c h a g \divisioMinima > > > > \finalis > > > > } > > > > verba = \lyricmode { > > > > Lo -- _ _ _ rem ip -- sum do -- lor _ _ sit a -- men a -- men > > > > } > > > > \markup { 3 } > > > > \score { > > > > \new VaticanaStaff << > > > > \override VaticanaStaff.StaffSymbol #'line-count = #5 > > > > \new VaticanaVoice = "melody" \chantEgy > > > > % \new VaticanaVoice = "melody" \chantKettő > > > > \new Lyrics = "one" \lyricsto melody \verba > > > > >> > > > > \layout { > > > > \context { > > > > \VaticanaStaff > > > > \override StaffSymbol.color = #black > > > > \override LedgerLineSpanner.color = #black > > > > } > > > > } > > > > } > > > > > > > > 2015-01-28 17:36 GMT+01:00 Pierre Perol-Schneider > > <pierre.schneider.pa...@gmail.com>: > > > > <please respond to the list> > > > > > > Hi Sister Judith, > > > > > > Yes, you're right - not so much time though, interesting time I > should > > say! > > > > I've added a draft to the LSR : > http://lsr.di.unimi.it/LSR/Item?id=973 > > > > Stems and ornaments have been changed into other characters. > > > > Glad you loke it. > > > > > > Cheers, > > Pierre > > > > > > > > 2015-01-28 17:26 GMT+01:00 Rita Composer <ritacompo...@gmail.com>: > > > > Wow, thank you so much!!! > > > > > > The layout/ view is almost perfect :-) > > > > The curved "stems" are a bit too far from the notes. > > > > > > Am I right that you used signs instead of notes? > > > > You must have been spending quite much time to do. (for me it > seems a > > bit complicated at the moment...I try to get used to it) > > > > > > Thank you very much! > > > > Sister Judit > > > > > > > > 2015-01-28 15:48 GMT+01:00 Pierre Perol-Schneider > > <pierre.schneider.pa...@gmail.com>: > > > > Hi, > > > > > > First of all, I have to admit that I know almost nothing about > those > > type of chants. > > > > Anyway... > > > > AFAIK, there is no predefined context or commands that will do - > > exactly - such scores. > > I've done something similar on the german forum : > > http://www.lilypondforum.de/index.php?topic=1801.msg9962#msg9962 > > > > The main idea was to put one voice per grouped note. > > > > > > In your particular case it does not seem to be a good idea; So > > please find attached a compilable file : > > > > 1. I've tried to stick as much as possible to your original pdf. > > > > 2. the idea was to change the note heads stencil with grouped > notes > > - with or without stems, spaces and/or ornaments. > > > > 3. not easy... > > > > > > Hope you'll find better and/or easier solution. > > > > > > Cheers, > > > > Pierre > > > > > > > > > > > > > > > > > > > > > ------------------------------------------------------------------------------ > > > > > > _______________________________________________ > > lilypond-user mailing list > > lilypond-user@gnu.org > > https://lists.gnu.org/mailman/listinfo/lilypond-user > > >
\version "2.16.2" \language "deutsch" \paper { left-margin = 20 } omitStem = \override Stem #'stencil = ##f showStem = \revert Stem #'stencil notePos = #(define-music-function (parser location note-column) (number?) #{ \override NoteColumn #'force-hshift = #note-column #}) left = { \once\override LyricText #'X-offset = #-4 } global = { \key f\major \cadenzaOn } myLyrics = \lyricmode { \left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "K " "A" } - gnus De -- i, \left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "A " "qui" } tol -- lis pec -- cá -- ta mun -- di: mi -- se -- re -- re _ no -- bis. \left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "K " "A" } -- gnus De - i, \left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "A " "qui" } tol -- lis pec -- cá -- ta mun -- di: mi -- se -- re -- re _ no -- bis. \left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "K " "A" } -- gnus De - i, \left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "A " "qui" } tol -- lis pec -- cá -- ta mun -- di: do -- na no -- bis _ pa -- cem. } myVoiceOne = \relative f' { \notePos #0 \omitStem f4 \showStem \stemDown g \omitStem g f f \bar "'" \once\override Score.RehearsalMark #'padding = #-2 f4 \showStem f d \omitStem d c d f f \once\override Staff.BarLine #'bar-extent = #'(-1 . 1) \bar "|" s8 \bar "" \break \override Score.Clef #' stencil = ##f f4 g a g a f f \bar "||" f4 a \showStem c \omitStem c c \bar "'" s8 c4 \showStem a \omitStem f \bar "" \break g f g f f \once\override Staff.BarLine #'bar-extent = #'(-1 . 1) \bar "|" f4 g a g a f f \bar "||" \omitStem f4 \showStem \stemDown g \omitStem g f f \once\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \once\override Score.RehearsalMark #'extra-offset = #'(-1 . 5.1) \mark\markup\draw-line #'(0 . 1) \bar "" \break \once\override Score.RehearsalMark #'padding = #-2 f4 \showStem f d \omitStem d c d f f \once\override Staff.BarLine #'bar-extent = #'(-1 . 1) \bar "|" s8 \override Score.Clef #' stencil = ##f f4 g a g a f f \bar "||" } myVoiceTwo = \relative g' { \notePos #.9 \omitStem g4 f a << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s2 \showStem \stemUp \once\override NoteHead #'stem-attachment = #'(-.8 . -.5) \once\override Stem #'length = #3 \notePos #.9 d4 \omitStem c s s f << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s8 s2 a4 s << { \notePos #.9 \omitStem b } \\ { \notePos #1.8 \omitStem a } \\ { \notePos #2.7 \omitStem g } >> s << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s2 c'4 << { \notePos #.9 \omitStem a } \\ { \notePos #1.8 \omitStem g } >> s2 s8 s4 << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem a } >> s4 s s a << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s4 s a s << { \notePos #.9 \omitStem b } \\ { \notePos #1.8 \omitStem a } \\ { \notePos #2.7 \omitStem g } >> s4 << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s4 \notePos #.9 \omitStem g4 f a << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s2 \showStem \stemUp \once\override NoteHead #'stem-attachment = #'(-.8 . -.5) \once\override Stem #'length = #3 \notePos #.9 d4 \omitStem c s s f << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> s8 s2 a4 s << { \notePos #.9 \omitStem b } \\ { \notePos #1.8 \omitStem a } \\ { \notePos #2.7 \omitStem g } >> s << { \notePos #.9 \omitStem g } \\ { \notePos #1.8 \omitStem f } >> } \score { << \new Staff << \global \context Voice = "Melodie" { \voiceOne << \myVoiceOne >> } \context Voice = "Vokalis" { \voiceTwo << \myVoiceTwo >> } >> \new Lyrics \lyricsto "Melodie" \myLyrics >> \layout { indent = 0 \context { \Staff \override TimeSignature #'transparent = ##t } \context { \Score \override RehearsalMark #'direction = #DOWN } } } Gespeichert
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