On 02/22/2011 10:12 PM, David Robillard wrote:
As far as I am concerned, this is all about Libre audio software anyway,
and I disagree with the name of this list/site (who actually cares about
the specific kernel?). Getting e.g. OSX people on board is a part of
making the LAD 'platorm' a success. If people on proprietary platforms
start using free plugins, and they start using free hosts, eventually
they're using free everything (e.g. a Jack/LV2 based music platform) and
that's when they can switch to Lignux. Otherwise, they simply won't, and
that is obviously not a win for LAD, Linux, Open Source, GNU, Free
Software, or whatever label you prefer to rally behind.

agreed.

Maybe you don't care. Fine. You're obviously not the person to be
designing our plugin API, then.

Old persnickety grey-bearded UNIX administrators aren't exactly a
significant or compelling market for music software. Perhaps for you and
me, using Lignux is a given, and doing music stuff is something you may
want to tinker with. For the overwhelmingly vast majority of people who
use music software, it is the other way around.

Put simply:

"I don't care about portability" == "Nobody cares about my software".

compelling argument, but not totally true. i'm not really disagreeing with your earlier statements, but i think there are some interesting aspects to the old greybearded unix wizard approach that fons apparently stands for.

here's a bunch of software that uses static, totally non-cross-platform makefiles that won't work out-of-the-box on 90% of all architectures.
but they are dead easy to fix.
it uses a custom x11 toolkit, custom thread library wrapper, and other idiosyncrasies. but it doesn't depend on sixteen other packages. which actually makes the stuff quite portable to osx, if you are willing to run x11 on top of it, without going through dependency hell. it has one heck of a large userbase, and some parts are considered reference implementations in their respective fields.
it also tends to just work.

i guess the argument is grand-unified-abstraction-meta-api vs. potentially limited but _focused_ software. you can use a rack full of kickass midi gear with crossbars, mappers, generic controllers, whatnot. or you can have a hot soldering iron at the ready on top of your organ at all times and just rewire it as needed :)

the former approach will impose fewer limitations. but the latter allows you to make some noise right now.
both are very valid imho.




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