Oh yeah, I understood, I meant exactly the chirping sound at 26.00. I even opened the project in the sequencer and also ran Kluppe and Camel Space to reproduce the sound and make sure I am giving you accurate information.
On Sat, Apr 28, 2018, 01:04 Paul Davis <p...@linuxaudiosystems.com> wrote: > I wasn't referring to the arpeggiation (really, in TD's case, it's > actually a 16 or 32 step analog sequencer) but the "chirping" sound right > around 25:53 and becomes more obvious at 26:16 . You also used it around > 14:08. "filter and a sequencer" sounds like a likely explanation. > > Anyway, https://www.youtube.com/watch?v=E7t8eoA_1jQ > > On Fri, Apr 27, 2018 at 6:46 PM, Louigi Verona <louigi.ver...@gmail.com> > wrote: > >> Hey everyone! >> >> Thank you for the kind words, I am very happy you are enjoying the >> experience. >> >> Any and all sonic references to Tangerine Dream are always accidental, as >> to this day I never listened to Tangerine Dream, although have skimmed >> through several tunes after being told that some of my tunes that feature >> arpeggiation seem to remind people of Tangerine Dream. Right now quickly >> clicked through Rubicon on YouTube. Arpeggiation part in the end is not >> bad, although a little outdated, I guess. >> >> I think the reason why some of my arpeggiating tunes remind people of >> Tangerine Dream is that setting up an arpeggiating bassline as a backbone >> of a tune and then putting things on top is an extremely simple idea that >> many musicians come up with. As I do have a minialistic approach in my >> music, it is possible that it sounds similar to what they did back in the >> day. Either way, Tangerine Dream has never been part of my musical diet, >> but I don't mind people hearing these unintentional references, this is >> always very interesting. >> >> As to the part at 26 minute, I think this is a pad loop that I played >> through Kluppe sent through a chain of CamelSpace ran though Festige and >> then through Rakarrack, powered by an almost 100% wet signal Long Reverb of >> the reverb module. The "watery" feeling is created by CamelSpace, which >> provides a filter and a sequencer which is capable of gating and changing >> the cutoff frequency value. An incredible VST plugin, although I actually >> rarely use it for ambient. >> >> So, a mix of Linux and VST technology here. But as far as I remember, >> this was probably the only non-Linux piece of tech I've used here. >> >> L.V. >> >> >> >> On Fri, Apr 27, 2018 at 9:07 PM, Paul Davis <p...@linuxaudiosystems.com> >> wrote: >> >>> Love it. Especially love the (possibly accidental) sonic references to >>> Rubicon (Tangerine Dream) e.g. at about the 26 minute mark. What is that? >>> >>> On Mon, Apr 23, 2018 at 5:16 AM, Louigi Verona <louigi.ver...@gmail.com> >>> wrote: >>> >>>> Announcing a new release of project "droning", tune 281 "The Bay of >>>> Atlantis". >>>> >>>> *Stream it here:* >>>> https://louigi.bandcamp.com/album/281-the-bay-of-atlantis >>>> >>>> *Word from the author:* >>>> >>>> Extensive work went into this creation. >>>> >>>> I wanted the tune to create a feeling that this is one solid >>>> composition, not a soundtrack with distinct segments, but something rather >>>> like an ocean which is in one instance is calm and in the other - furious. >>>> But still just one single ocean. >>>> >>>> To all of you travelers out there, and to those of us who find visiting >>>> nonexistent places important. >>>> >>>> >>>> *Technical specs:* Qtractor, Rakarrack, Carla, Kluppe, seq24 and a >>>> number of LV2 plugins. Zyn is used, although a number of sounds came from >>>> other sources. >>>> >>>> >>>> -- >>>> Louigi Verona >>>> https://www.patreon.com/droning >>>> https://louigiverona.com/ >>>> >>>> _______________________________________________ >>>> Linux-audio-dev mailing list >>>> Linux-audio-dev@lists.linuxaudio.org >>>> https://lists.linuxaudio.org/listinfo/linux-audio-dev >>>> >>>> >>> >> >> >> -- >> Louigi Verona >> https://www.patreon.com/droning >> https://louigiverona.com/ >> > >
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