Where have I heard this before ;-)

Jay.


-------- Original Message --------
Subject: Dung on All Their Houses
Date: Thu, 03 Feb 2000 11:16:49 -0500
From: enrique <[EMAIL PROTECTED]>
Newsgroups: 
alt.politics.usa.republican,alt.politics.democrats.d,alt.politics.reform,alt 
.politics.greens,alt.politics.libertarian,alt.anarchism,alt.journalism,alt.r 
eligion,talk.politics.misc

excerpted from the article:

Toward Freedom Magazine, December / January 2000
Dung on All Their Houses
by Danny Schechter

Group Think in the "News Army"

In the media business, the mechanisms of censorship are now solidly built 
into the editorial and program selection process where decisions are made 
on what gets covered and how, what news gets on the media, and what's 
routinely spiked. Programming formats, which are increasingly the same 
across the spectrum of seeming broadcast choice, tend to insure a 
conformity and often seamless one-note editorial flow.

Each day, in thousands of newspaper offices and TV newsrooms, editors and 
producers gather to make picks from a menu of story possibilities, 
assessing pitches from reporters in the field and news running on the wire. 
It is there that they decide what to lead with, and what to downplay. 
Increasingly, despite the plethora of news sources and the size of the 
"news army," there is a sameness of sources and angles.

Like the word processors found on every desk, there is an idea processor at 
work, narrowing down what future generations will come to know as the first 
draft of history. More and more, those stories revolve around some high 
profile "giga-event"-the O.J. Case, the Death of a Princess, Sex Scandal in 
the White House, a natural disaster, and so on. Like blackbirds in flight, 
packs of reporters darken the sky, moving in swarms at the same speed and 
in predictable trajectory. When one lands, they all land. When one leaves, 
they all leave.

At first look, it seems as if all of this happens naturally, as if it's 
ordained by some higher logic or the way journalists are supposed to 
operate. The idea that there is censorship at work here is all too often 
considered way offbase. But today, in the media at least, programming is a 
verb as well as a noun.

The programmers and channel controllers from all the stations are part of 
the same well-paid elite, steeped in the same values, committed to the 
mission of maximizing audience share and profits. They are chosen for their 
ability to play the game and not challenge the audience with too many 
controversial ideas or critical perspectives. It's no surprise that they 
circulate easily within the commanding heights of media power, moving from 
company to company and job to job.

Personally, they seem more concerned with negotiating their own exit 
strategies and stock options than exercising power to fundamentally improve 
the range or quality of viewing options. A kind of group think corporate 
consensus, steeped in market logic and deeply inbred by an un-brave news 
culture, breeds conscience-free conformity and self-censorship. That's 
partly why we have so many safe, middle of the road choices on the air, and 
why views considered unsafe are marginalized.

Unlike dictators who jail dissidents, they simply ignore them. The mantra 
that guides their rejection letters is "Not for Us."

FROM MAINSTREAM TO MUDSTREAM

Project Censored, a group that reports on the new censorship, warns that 
journalism as we have known it is sinking ever deeper in a sludge of 
sleaze, slime, and sensationalism-news that doesn't belong in the news. The 
consequence: readers, watchers, and citizens are drowning in both 
trivialization and information overload. Independent producers with 
something to say have fewer and fewer outlets through which to say it. Not 
surprisingly, the findings of Project Censored itself are, in effect, 
censored -rarely reported in the mainstream media.

This makes frightening sense in a globalized economy where consumerism is 
more desired than active citizenship, where power is increasingly 
concentrated and the public is increasingly unwelcome in a public discourse 
defined by the powerful. If your goal is to numb people and drive them away 
from active participation, then TV as "weapon of mass distraction" and wall 
to wall entertainment makes sense. Shut up and shop is the now the message, 
one that makes sense to advertiser dominated media outlets...

As the mainstream becomes a mudstream, we have to try to scratch a bit 
deeper to understand why "junk food news," stories, and spectacles are 
grossly over reported, sensationalized, and hyped out of proportion to 
their significance. The problem is institutional. As Peter Phillips, who 
directs Project Censored, explains, "The structure of media organizations 
themselves are creating latent forms of censorship that are just as 
potentially damaging as intentional censorship."

The type of journalism that this leads to is all too clear. All you have to 
do is flip the dial and look at the pattern. The same headlines, the 
familiar anchors, the packaged formats with their look-alike graphics and 
stirring music. The stories revolve around the very important people at the 
top, promoting celebrities that the entertainment industries have created 
and marketed. The daily fluctuations of the business behemoths are 
reported, the lives of ordinary people for most part aren't. There is an 
abundance of business channels, including BBC World, which recently 
announced an intention to shift to more business news. They measure the 
winners and losers, but no labor channels show the human costs.

In an era when content is supposedly king, the connections that would help 
us make sense of what's happening are missing -by design. Information is 
everywhere; interpretation is absent.

And covered least of all-the media itself, which has gone though structural 
shifts, merging into cartel-sized monopolies which treat information as a 
subsidiary of entertainment-oriented mega-businesses. Substance is a 
casualty of the synergies that these arrangements produce ... endless 
tabloidization and suffocating cross-promotional hype.

This is why I and other colleagues worldwide have created "The Media 
Channel" (www.mediachannel.org), a global internet supersite as part of 
England's OneWorldOnline (www.oneworld.org) to continue to report, discuss, 
and encourage action against the new censors and the threat they represent 
to media freedom. Your involvement is welcome.

++++++++


Respectfully,

Jay Fenello,
New Media Relations
------------------------------------
http://www.fenello.com  770-392-9480
Aligning with Purpose(tm) ... for a Better World
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