Tobiah-- That notation is Capirola's (perhaps) unique notation for a split course. Stop one string only of the course, play the other string open. It is noted thus in the original manuscript of his works transcribed by a student. In the measure you cite, you'll be playing an open "a" against a "c" on the 3rd course. It's a little tricky, but it works. You can also write out the chord differently, but try it his way, too.
Regards for a Healthy, Happy New Year! Leonard Williams [] (_) ~ ----- Original Message ----- From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Wednesday, December 31, 2003 5:18 PM Subject: Odd tablature notation > There are a couple of pieces in a book that I > have of the lute music of Vincenzo Capirola. > Here is an example: > > http://tobiah.org/measure.jpg > > It seems to indicate that a half bar should > be used at the fourth fret, but I can't figure > out any way to get a reasonable sound by playing > the measure that way, let alone get the pitches > that are indicated on the grand staff. > > It sounds correct if I just play the grand staff > as written, ignoring the IV{ marking, but I feel > that I am missing something. > > Thanks, > > Tobiah > >