on the oud list recently i learned of a tuning for a
5c. oud that was taken from the 13th cent. treatise
called "kitab al-adwar" (book of cycles) by safi
al-din al-urmawi (1216-1294).  each course is named
and a tuning in straight 4ths is indicated but no
pitch is given.

in trying to understand how medieval musicians tuned
up before standardized notation, i imagine that the
lead musician - or singer, if the instruments were
meant for accompaniment - simply went "hmmmm" and the
others twisted their pegs accordingly. 

assuming that vocal chords are more or less the same
for everyone and assuming that instruments - stringed
instruments in particular - are an extension of this
sound, is it possible that anyone asked to sing
"hmmmm" or "ahhhhh" would do so naturally at more or
less the same pitch?

i tried this with an automatic chromatic tuner but
couldn't get a consistent reading, even though it
sounded the same to me each time.

leonard bernstein noted that "nyah-nyah, nyah,
nyah-nyah" was recited globally in more or less the
same key - "g" or "a", i believe.  this might have
been learned from english language or american style
media but could it just as easily be an example of
everyone singing in perfect harmony without the aid of
coca-cola?

i gather that tuning in 4ths was probably the original
tuning for our family of instruments but is there
anything to indicate in which key?   
 


"and thus i made...a small vihuela from the shell of a creepy crawly..." - Don 
Gonzalo de Guerrero (1512), "Historias de la Conquista del Mayab" by Fra Joseph 
of San Buenaventura.  go to:  http://www.charango.cl/paginas/quieninvento.htm


        
        
                
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