Arto, Roman, etc.
I've been reading through the Brescianello on
guitar for the past few weeks. It not the most
sublime music on earth, but it is good listening:
quite interesting with unexpected harmonic twists and
occasional outbursts of drama that are rare in either
the lute or guitar repertoire. I think guitarists
would do very well to delve into some of this stuff as
it is just about all (with the exception of some
scordatura) easily playable on a modern instrument.
Would it be heresy to contemplate tuning the
third course up a half step and performing it on a G
lute? Just how different IS the Gallichon
structurally from our beloved six-coursers?
Chris Wilke
--- Arto Wikla <[EMAIL PROTECTED]> wrote:
>
> Dear Roman & others
>
> On Friday 12 August 2005 15:15, Roman Turovsky
> wrote:
> > Arto, not everyone shares your enthusiasm about
> Brescianello's
> > mandora music, which was even (mis)committed to
> recording at least
> > once, by Terrel Stone.
> > I personally don't see much in Brescianello's
> mandora music at all
> > (his concerti grossi are fine music though).
>
> Actually I was already worried, why it takes so long
> before your Last
> Judgement of Brescianello's lute music comes... ;-)
>
> Arto
>
>
>
> To get on or off this list see list information at
>
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
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