So what did he have to say about the French baroque repertoire??
Nancy

At 03:29 PM 2/23/2006, [EMAIL PROTECTED] wrote:


>--- Benjamin Narvey
><[EMAIL PROTECTED]> wrote:
>
> > Yes, I use a marker but only colour in about 2
> > inches of string towards the
> > middle of the diapason (i.e., well past the first
> > nut).  >
>
>Benjamin,
>
>
>      I have tried marking my strings exactly where you
>have done so, but found that it does me little good.
>I used to keep trying to look for the marks with my
>peripheral vision, but that's not so accurate for me.
>Now I don't bother with marks at all and find that I
>do fairly well - mostly I come so close to the actual
>string that I intended to hit that I'm usually only a
>step or two off in either direction.  I figure that's
>so darn close that it pretty much counts as the right
>note anyway...  (I want to say that I'm joking about
>that, but its getting uncomfortably close to the truth
>for me!)
>
> > I'm jealous that you got to see PO - why was he
> > marking up his lute in the
> > concert?!
> >
>
>POD played baroque lute on this concert - all Bach
>except for one Weiss suite.  He mentioned that he had
>found the 13 course lute quite an adjustment.  Just
>before the last piece, his arrangement of the first
>solo violin sonata, BWV 1001, he took out a couple of
>different colored markers and began to mark his bass
>strings.  I was surprised to see him doing this in
>concert as if he needed some special marks for that
>piece.  I meant to ask him about it after the concert,
>but our brief conversation strayed to his thoughts on
>the French baroque lute repertoire instead.
>
>
>Chris
>
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Nancy Carlin Associates
P.O. Box 6499
Concord, CA 94524  USA
phone 925/686-5800 fax 925/680-2582
web site - www.nancycarlinassociates.com
Administrator THE LUTE SOCIETY OF AMERICA
web site - http://LuteSocietyofAmerica.org

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