Scans, pls. RT ----- Original Message ----- From: ""Mathias Rösel"" <[EMAIL PROTECTED]> To: "Lutelist" <lute@cs.dartmouth.edu> Sent: Monday, July 24, 2006 5:17 PM Subject: [LUTE] Re: Italianism
>>> However, I find progressions like that in French music, too. > Ennemond >>> Gaultier may be seen a representative of French style, I suppose. But > he >>> makes use of such progressions (e. g. in one of his gigues in > Gottweig >>> fol. 80-1, CNRS edition # 59, pp. 78-9, bars 15 to 18. And there are >>> other examples). > >> May I see these? > > Of course. I've looked into Ennemond Gaultier for now. There, I found > the following: > > Allemande (CNRS # 5, Oxf. G 617, p. 52-3), bars 5-6: E - A - D - G > Courante (CNRS # 22, Reynaud fol. 111'), bars 26-9: D - G - C - F > La petite Bergere (CNRS # 33, Barbe, p. 25), bars 23-7: E - A - D - G - > C > Sarabande (CNRS # 45, Oxf G 617, p. 88-9), bars 13-6: A - D - G - C > Sarabande (CNRS # 46, Oxf G 617, p. 114-5), bars 10-12: E - A - D - G > Gigue in (CNRS # 59, Gottweig fol. 80-1), bars 15-8: E - A - D - G - C - > F > > I'm confident to find more if I dig. > -- > Best, > > Mathias > > http://de.geocities.com/mathiasroesel > http://mathiasroesel.livejournal.com > -- > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
