Domenico Bianchini was by profession a moaicist. Worked
in Pisa and at St. Mark's in Venice.  two ofthe 
ricercars in his book are intabulations of organ 
ricercars by julio da modena, who was first organist at 
st. mark's at the same time.  If Binachini took his lute 
up on the scaffolding, perhaps that was the first 
instances of chori spezzati, with Bianchini providing a 
heavenly echo when Julio played down below.

Piston started as a draftsman.  He did all the line
drawings for his orchestragtion book, for example. He is 
sometimes credited with designing the mechanism that 
opened the doors of Boston trolley cars.  But that is 
not true.  He made the drawings for the engineer who had 
designed the mechanism.

Later he did oil painting (not very good ones).  You can 
see samples in the
Piston Room at the Boston Public Library. The room is a
re-creation of his study. Leaning up zgainst his desk is 
the beat-up old brief
case he always carried.

==ajn
========================================
----- Original Message ----- 
From: "Roman Turovsky" <[EMAIL PROTECTED]>
To: "Lutelist" <lute@cs.dartmouth.edu>; "bill
kilpatrick" <[EMAIL PROTECTED]>
Sent: Friday, September 01, 2006 1:31 PM
Subject: [LUTE] Re: OT: list of visual artists also
active as professional or competent amateur
musicians/composers


>> --- Roman Turovsky <[EMAIL PROTECTED]> wrote:
>>
>>
>>> That's not quite the level or the order needed.
>>
>> snob ...
> The quest is for ARTISTS who were also practicing
> musicians, not the other
> way around.
>
>>
>> there's also:
>>
>> - brian eno
>> - brian ferry
>> - ray davies
> URLs?
>
>> .. in fact, practically every 60's rn'rer graduated
>> from art school.
>>
>> - david bowie - he is (was?) mr. money for a british
>> magazine called "modern painters."
>>
>> i think you deserve a seat at the top table too.
> Not to mention you...
> RT
>
>
>
>
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