I hope you don't mind if I say a few words.
  I have a baroque lute (d minor tuining 13 course) and from the first day I 
had it I began to learn the notes in all the positions on the fretboard I did 
the same thing on the renaissance lute and also on one vihuela in a (now I have 
a vihuela in G) and I think that this is the greatest thing to discover 
yourself the chords in all positions and to improvise on them.
  Also a very important thing that I've done is that I've learned some grounds 
like: La Folia, Passacaglia, Ciaconna etc and I was trying to improvise upon 
them and in this way I've created a very strong image on the base and the 
function of the chords.

ariel <[EMAIL PROTECTED]> wrote:
  Dear friends,


I've recently become interested in early seventeenth century continuo 
playing.
I don't have professional ambitions with the subject, but I'd like to give 
it a serious try this summer.

I'm starting to collect some published material, and would like to know if 
there's any book which is a must having.

Found some really useful stuff on the web, and would like to know if there's 
anyone who has done (or knows about) a sort of a chord chart for g' tunning 
(for a ten course or an archlute, for instances), which takes care of proper 
voice leading, as you can see in many jazz guitar methods, to give an 
example.


I will really appreciate any advice from players of all levels here!

Thanks in advance,

Ariel. 



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