Might just be a good idea to make the tittle a little closer to the topic. Don't forget people later search for such topics, before opening a new thread.

When, I alter the orientation of a topic, I just add a word to indicate that;
but here the topic has clearly moved on.
This last message sounds about right to my non specialist ears, having never played the
theorbo.
Regards
Anthony



Le 12 déc. 07 à 14:56, Joseph Mayes a écrit :

I think this might be a case of "front-end loading." That is: looking at
data from an established point of view - to whit:

Weiss hints that he used nails - that's inconclusive. If Weiss hinted that
he didn't use nails - that would be evidence.

Joseph Mayes


On 12/12/07 8:43 AM, "Mathias Rösel" <[EMAIL PROTECTED]> wrote:

"Rob" <[EMAIL PROTECTED]> schrieb:
Whether Stephen Stubbs or anyone else gets a good sound with nails on a
baroque lute is neither here nor there.

His was intended to serve as an example of an accomplished continuo
player, using nails, who also is an accomplished soloist.
Weiss was an accomplished continuo player who said the theorbo was
generally played with nails, who also was an accomplished soloist.
It goes without saying, I hope, that I'm not comparing Weiss's and
Stephen's skills here >B)

The question is whether Weiss used nails,

I assume you will agree that we'll never know.

and I maintain that the comments he made are inconclusive.

Yes, agreed.

Mathias

-----Original Message-----
From: "Mathias Rösel" [mailto:[EMAIL PROTECTED]
Sent: 12 December 2007 11:57
To: 'lute list'
Subject: [LUTE] Re: Swanneck + loaded strings

"Rob" <[EMAIL PROTECTED]> schrieb:
Mathias, I don't think we can definitely conclude from his statement

no, of course, not def.

that
Weiss himself used nails. He might have implied it was common practice,
but
he doesn't say for sure that he used nails.

As for the theorbo that is probable, though, IMHO. He says it's
ordinairement played that way, but doesn't remark "but I refrain from
that horrible abuse" or the like.

Certainly he was employed as a
continuo player,

And he was known so as a marvelous accompagnist

but clearly was also regarded as a special case,

Regarding the theorbo, I'm not aware of another specialty besides his
being fabulous. No mentioning of no-nails.

one whose
solo playing was highly valued as well. If he describes nail playing as
'rude',

He doesn't. The quote bears on the sound of the theorbo as resulting
from ordinarily using nails. He says if you come close the sound is
coarse and rude because it's ordinairement played with nails. That is
easily imaginable, I should add. Theorbo players in an orchestra who
aren't heard will soon loose their posts.

I doubt if he would have enjoyed playing the lute so much.

You can use nails even on a baroque lute. To name just one player who
keeps long nails because his main business is continuo playing in
ensembles and orchestras but who nevertheless made very good solo
recordings (Kellner, Saint Luc, Golden Age etc) is Stephen Stubbs.
--
Mathias


-----Original Message-----
From: "Mathias Rösel" [mailto:[EMAIL PROTECTED]
Sent: 12 December 2007 11:09
To: Martyn Hodgson
Cc: LGS-Europe; lute list
Subject: [LUTE] Re: Swanneck + loaded strings

"Martyn Hodgson" <[EMAIL PROTECTED]> schrieb:
Weiss does mention that playing with nails is acceptable on the theorbo
but not on the lute (I don't have the exact quote to hand)

In his letter to Mattheson he said that the theorbo yielded a somewhat rude sound as it was ordinairement (usually, ordinarily) played with nails. From which we may conclude that Weiss had nails long enough to play the theorbo since that was one of his duties at court. Which makes
me wonder as for his playing the lute...

Mathias

LGS-Europe <[EMAIL PROTECTED]> wrote:
Perhaps OT on the lute-list either way, but I mentioned Sor and
Giuliani,
not baroque guitar music. Neither did I write one cannot play one
kind
of
music with or without nails, just that you may notice the
differences.

Well it's simply because of your pre-conditioned approach to their
music.
You know (or you believe you know) that Sor wasn't using nails (i.e.
because
he or somebody else wrote about this or whatever).

Did Piccinini, Castaldi, Robert de Visee, Weiss etc etc use nails or
no
nails? Can you spot that through their music? I very much doubt you
can.

I'm sure I cannot. I mentioned Sor and Giuliani, not theorbo music.

David



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