You should check out Bruce Haynes book "The end of early music", it is a great antidote to the recent crisis that the HIP movement received from Taruskin's writings.
You can read a few pages here.... http://www.amazon.co.uk/End-Early-Music-Performers-Twenty-first/dp/019518987 6/ref=sr_1_1?ie=UTF8&s=books&qid=1233529394&sr=8-1 Mark -----Ursprüngliche Nachricht----- Von: Jerzy Zak [mailto:jurek...@gmail.com] Gesendet: Sonntag, 1. Februar 2009 23:30 An: lute Betreff: [LUTE] Re: French trill? Of course, the paradox concernes us, creators and consumers of music and our vision of the modern phenomenon called ''historical music''. It is a fancy interplay between science and art, it's a modern thing in music history -- isn't it?, and in a way quite logically it's ''modern music'' as well, however strange it may sound to all. J _______ On 2009-02-01, at 20:12, Jean-Marie Poirier wrote: > I agree, Jerzy, but isn't it rather the paradox(es) of so called > "historical musicians" ...??? > Jean-Marie ;-) > ======= 01-02-2009 19:38:37 ======= > >> These are paradoxes of the so called historical music. >> J To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
