Think of the Etruscans: fairly high level of civilization, but left very
little of textual information in hard copy; consequently, we know very
little about them.  Perhaps we know more about the more ancient cunieform
writers.
Leonard

On 11/13/10 4:58 AM, "Gary Digman" <magg...@sonic.net> wrote:

> Maybe our culture is disintegrating before our very eyes. Can a culture be
> lost?
> 
> Gary
> 
> 
> ----- Original Message -----
> From: "Monica Hall" <mjlh...@tiscali.co.uk>
> To: "Christopher Wilke" <chriswi...@yahoo.com>
> Cc: "Lutelist" <lute@cs.dartmouth.edu>
> Sent: Friday, November 12, 2010 4:03 AM
> Subject: [LUTE] Re: More digital facsimiles from the (public) libraries?
> 
> 
>> 
>> ----- Original Message -----
>> From: "Christopher Wilke" <chriswi...@yahoo.com>
>> To: "lute-cs.dartmouth.edu" <lute@cs.dartmouth.edu>; "David Tayler"
>> <vidan...@sbcglobal.net>
>> Sent: Friday, November 12, 2010 2:20 AM
>> Subject: [LUTE] Re: More digital facsimiles from the (public) libraries?
>> 
>> 
>>> David,
>>> 
>>>    Yes, indeed, as do academic presses in general.  University presses
>>> are
>>> among the worst offenders, with many volumes priced out of the range of
>>> individual buyers.  I suppose they have to do something to recoup the
>>> losses from the limited appeal of many specialized subjects.  But are
>>> these artificially inflated prices sustainable?  Won't libraries just
>>> stop
>>> buying stuff they determine is not as important as X or Z?
>> 
>> That is already happening.   The specialized library where I used to work
>> declined to buy a specialist book on Stradivarius which cost £80.   Their
>> funds just didn't stretch to it.   I am having to wait until the British
>> L:ibrary get around to cataloguing the copy I assume they will receive
>> under
>> copyright laws.   Could be yonks if they are cutting back on staff to do
>> the
>> cataloguing (a highly skilled activity in itself).
>> 
>> Monica
>> 
>> Who can blame them if they need to make these budgetary decisions, but how
>> scary is that?  Publishers in turn will stop publishing the things that
>> aren't so "important"...
>>> 
>>>     Things are increasingly turning to online resources, but this raises
>>> real issues of ephemerality.  What is the probability that someone a
>>> hundred years from now will be able to access the exact online
>>> information
>>> that people the people in 2010 accessed?  The long-term survivability of
>>> much of today's information might very well depend on loose printouts,
>>> made and preserved at some anonymous user's whim.  Digital storage media
>>> has also shown that it is far less reliable than first believed (CDRs
>>> only
>>> have about a ten year shelf life, for example.)
>>> 
>>>   Wow, that's much more of a free association rant than I first intended.
>>> Anyway, I suppose it goes to show that the accomplishments of our
>>> civilization hang by a much thinner thread than any of us realize.  All
>>> of
>>> our artifacts might ultimately be far less permanent than the wooden
>>> ceiling of an ancient Greek temple.
>>> 
>>> Chris
>>> 
>>> Christopher Wilke
>>> Lutenist, Guitarist and Composer
>>> www.christopherwilke.com
>>> 
>>> 
>>> --- On Thu, 11/11/10, David Tayler <vidan...@sbcglobal.net> wrote:
>>> 
>>>> From: David Tayler <vidan...@sbcglobal.net>
>>>> Subject: [LUTE] Re: More digital facsimiles from the (public)
>>>> libraries?
>>>> To: "lute-cs.dartmouth.edu" <lute@cs.dartmouth.edu>
>>>> Date: Thursday, November 11, 2010, 8:54 PM
>>>> By charging high prices, sometimes
>>>> hundreds of dollars, for these
>>>> facsimile editions, the libraries are deprived of
>>>> resources.
>>>> The publishers count on extracting a toll from libraries.
>>>> dt
>>>> 
>>>> At 04:02 AM 11/11/2010, you wrote:
>>>>> As a retired librarian it seems to me that everyone
>>>> will be better off if
>>>>> you have your way except the poor old libraries and
>>>> librarians who need
>>>>> money to keep their heads above
>>>> water. Without us there wouldn't be any
>>>>> books available or a decent place to read
>>>> them. Why should people make
>>>>> money out of doing an edition or even publishing a
>>>> facsimile but the not the
>>>>> people and organizations who
>>>>> have made sure that these things are preserved in the
>>>> first place?
>>>>> 
>>>>> In any case even a facsimile is not a substitute for
>>>> seeing the real thing.
>>>>> 
>>>>> Monica
>>>>> 
>>>>> 
>>>>> ----- Original Message ----- From: "David Tayler"
>>>> <vidan...@sbcglobal.net>
>>>>> To: "lute-cs.dartmouth.edu" <lute@cs.dartmouth.edu>
>>>>> Sent: Wednesday, November 10, 2010 9:33 PM
>>>>> Subject: [LUTE] Re: More digital facsimiles from the
>>>> (public) libraries?
>>>>> 
>>>>> 
>>>>>> Although I understand all of the issues, including
>>>> compensating ppl
>>>>>> for their time, charging money for facsimiles is
>>>> basically evil, and
>>>>>> in the long run everyone will be better served by
>>>> having more music
>>>>>> available--more concerts, more audience, more
>>>> work.
>>>>>> What all libraries should do is just put it all
>>>> online, and then if
>>>>>> someone wants to make an edition and sell it, fine.
>>>> Just make a PDF,
>>>>>> and upload it, and I guarantee that everyone will
>>>> benefit.
>>>>>> This also prevents players from owning a repertory
>>>> by limiting access.
>>>>>> 
>>>>>> If scholars want to sell the commentary as a
>>>> separate book, that is
>>>>>> also fine, and continues an established tradition.
>>>>>> dt
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>> At 12:32 PM 11/10/2010, you wrote:
>>>>>>> Still something that I don't
>>>> get:
>>>>>>> 
>>>>>>> why are some public (public)
>>>> libraries slowly making all their MS
>>>>>>> available as a digital download -
>>>> and I'm thinking about the the
>>>>>>> Bayerisch Staatsbibliothek here
>>>> in Munich, between others -, while
>>>>>>> there are other PUBLIC libraries
>>>> (hello, British Library ...) - that
>>>>>>> still do not even seem to
>>>> envisage that ...
>>>>>>> 
>>>>>>> Shall we (as single members of
>>>> the list) put some pressure on our
>>>>>>> local
>>>>>>> libraries? Send an email to the
>>>> curators of their music departments -
>>>>>>> maybe as rightful, registered
>>>> members of the library, as I guess some
>>>>>>> of us are - and ask about it?
>>>>>>> (Of course, this doesn't want to
>>>> diminuish at all the value of such
>>>>>>> pubblication as the Dd.2.11 by
>>>> the Lute Society. The scholarship part
>>>>>>> is something you dont get in a
>>>> digital facsimile ...)
>>>>>>> Your opinion, listers?
>>>>>>> Matteo
>>>>>>> On 10 November 2010 20:19, Denys
>>>> Stephens
>>>>>>> <[1]denyssteph...@ukonline.co.uk>
>>>> wrote:
>>>>>>> [...]
>>>>>>> 
>>>>>>> It's also worth
>>>> noting that whilst some
>>>>>>> of
>>>>>>> the world's libraries are
>>>> making digital copies of their musical
>>>>>>> sources
>>>>>>> available, there is
>>>> currently no expectation that this, or indeed
>>>>>>> any of the
>>>>>>> Cambridge University
>>>> Library manuscripts will become available as
>>>>>>> free
>>>>>>> electronic downloads.
>>>>>>> Denys
>>>>>>> 
>>>>>>> --
>>>>>>> 
>>>>>>> References
>>>>>>> 
>>>>>>> 1. mailto:denyssteph...@ukonline.co.uk
>>>>>>> 
>>>>>>> 
>>>>>>> To get on or off this list see list information
>>>> at
>>>>>>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>>>>> 
>>>> 
>>>> 
>>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> To get on or off this list see list information at
>>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>> 
>> 
> 
> 
> ------------------------------------------------------------------------------
> --
> 
> 
> 
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 9.0.869 / Virus Database: 271.1.1/3251 - Release Date: 11/11/10
> 11:34:00
> 
> 



Reply via email to