Dear Martyn

      It was not the translation, it was the fact that I left out a word: 
'Thanks to their high breaking index THESE trebles are less heavily stressed'. 
thanks for spotting that, I was copying from Lute News, and slips are easy.

About the idea of making a string out of a single gut, I seem to remember that 
Mimmo tried that and the string was very fragile (I think he mentioned it at 
the string conference). However, Mimmo did send me a note to say that the 
number of strips used and how they are twisted together could be of greater 
importance (more important than any difference between Sheep/Beef which he 
doubts, or chemical treatment).

In the article, Mimmo claims the Munich strings (the best according to Mace) 
were probably not made of a single whole gut, as Capriola says that Munich 
strings are not fatter at one end (as they would have been if made from one 
gut).


Regards
Anthony




----- Mail original -----
De : Martyn Hodgson <hodgsonmar...@yahoo.co.uk>
À : William Samson <willsam...@yahoo.co.uk>; Anthony Hind <agno3ph...@yahoo.com>
Cc : "lute@cs.dartmouth.edu" <lute@cs.dartmouth.edu>
Envoyé le : Vendredi 20 janvier 2012 17h05
Objet : [LUTE] Gut trebles - was String hairs


    Dear Anthony,

   Another way of achieving gut less likely to fray is by much greater
   care in the selection of the unprocessed gut. In particular for trebles
   it has been suggested (first I believe by Eph Segerman) that a single
   whole gut of near uniform thickness could be used and cut with such
   precision that after careful twisting no or minimal 'rectification' is
   necessary - thus avoiding breaking of the fibres and leading to early
   failure.  Of course this would increase the cost of such strings but
   then historical records suggest that strings were always very
   expensive.

   On another matter: I don't understand the comment you report Mimmo as
   making - 'Thanks to their high breaking index trebles are less heavily
   stressed'.  Stress is defined purely as tension/cross-sectional area
   and thus trebles will, by definition, be more highly stressed than any
   other string.  Perhaps his meaning is lost in translation .......

   regards

   Martyn
   --- On Fri, 20/1/12, Anthony Hind <agno3ph...@yahoo.com> wrote:

     From: Anthony Hind <agno3ph...@yahoo.com>
     Subject: [LUTE] Re: String hairs
     To: "William Samson" <willsam...@yahoo.co.uk>
     Cc: "lute@cs.dartmouth.edu" <lute@cs.dartmouth.edu>
     Date: Friday, 20 January, 2012, 14:18

   Dear William and All,
        I just thought it might be worth resuming for William, the
   situation in relation to strong gut trebles, as appeared in
   discussions, here, and elsewhere, over the last few years,  even though
   this goes a little beyond the practical concerns of which William has
   spoken, by raising the question (William did not ask) as to whether it
   is possible to achieve a string that frays less, and what the effect
   might be on the resulting sound.
   %
   I notice that there may be (at least) two ways of achieving this. The
   first would be a chemical treatment of the gut, as appears to have been
   done by Mimmo Peruffo, according to his text at lute News 79 Oct 2006
   (P14-15); the second would be a careful use of Beef Serosa (according
   to Dan Larson, at Gamut).
   In both cases, the result would be a stronger string, than using non
   treated sheep gut :
   1) Mimmo "These (chemically treated) strings feel rather stiff to the
   fingertip. Thanks to their rough structure they are less liable to
   squashing, and less liable to jam on the nut, or be cut. Thanks to
   their high breaking index trebles are less heavily stressed, which
   becomes evident, especially through the fact that they stretch less
   while tuning (...). In practical terms, less peg turning is needed to
   reach the required pitch. Less stretching under stress means a higher
   resistance to fraying, which is the main problem of modern strings and
   is related to the action of the player's fingers, and perspiration, and
   string tension." Lute News 79
   (in this expose, Mimmo does not say whether he was using sheep or beef
   gut, although his historic hypothesis must surely be that it would have
   been applied to sheep gut; although it should evidently be possible to
   apply it to beef, resulting in an even stronger string?)
   %
   2) Dan: " Because beef gut strings are stronger than sheep gut strings
   they are a good choice for instruments with a long string length, or
   higher tension situations.
   In addition to the extra strength, the fiber structure of beef serosa
   has less of the fine hairs that sometimes develop on sheep gut
   strings."
   [1]http://gamutmusic.squarespace.com/beef-gut/
   %
   It would seem that both methods lead to a stiffer treble (which
   therefore frays less) and which presumably in each case also result in
   a brighter clearer sound:
   Dan: "The customer feedback we have received indicate that beef gut
   stabilizes more quickly and holds pitch a little better than sheep
   gut.  The tone has been described as being clearer and brighter than
   sheep but of equal gauge."
   [2]http://gamutmusic.squarespace.com/news/new-beef-gut-strings.html
   Ed says of Dan's beef trebles, "Yes.  I love the trebles.  They last
   much longer, and have a clear, lean, wonderful sound."
   [3]http://www.mail-archive.com/lute@cs.dartmouth.edu/msg26619.html
   This is more or less my experience of Mimmo's chemically strengthened
   string (although possibly not so lean?), which I think he is also
   trying to achieve with his new NG trebles, which are quite bright, but
   as Dan W. says comparing this string with gut, "slight loss of slightly
   richer gut sound more than compensated by a more open, distinct &
   extroverted quality to the overtones (...)"
   [4]http://www.mail-archive.com/lute@cs.dartmouth.edu/msg38490.html
   %
   Gamut does not of course make the only "strong" beef gut trebles. There
   are also testimonies about strong beef trebles by Toro (Italy) sold by
   Universale, as those also of Dan W.
   [5]http://www.mail-archive.com/lute@cs.dartmouth.edu/msg26619.html
   Universale by Toro: They are not dedicated to lute- they simply make BY
   FAR the strongest, most durable treble strings I have ever used - in my
   case, a pair of .42 mm (perfectly true and in tune with each other)
   that I put on my vihuela (...) Got them in June, and only this past
   week is one of them beginning to shred." Dan Winheld
   However, Dan goes on to say, "and for sound, those durable trebles are
   not quite as sweet as the more delicate strings. No free lunch!"
   I imagine that could be true of most strong trebles, depending on the
   lute and your playing style, you might like its "clear, lean, wonderful
   sound" (as Ed), or feel it is a little less sweet (as Dan does), or
   less full, as Jonathan Dunford does, albeit comparing beef ropes and
   sheep designed by Corquoz and made by Toro:
   [6]http://launch.groups.yahoo.com/group/ViolaDaGamba/message/970
   "I've been using them ever since they existed (I had the first
   protytpes) and I find them stable and much "fuller" sounding than the
   cow gut (for instance Pirastro/Savarez or Kurschner)."JD  (although
   this could both be rope structure as well as the origin sheep/beef)l
   %
   Indeed, David v.O. says he prefers the sound of Kathedrale (sheep gut)
   to Universale (beef by Toro), presumably for the sweeter sound, even
   though he prefers the Toro to synthetics:
   [7]http://www.mail-archive.com/lute@cs.dartmouth.edu/msg26575.html
   "I prefer the sound of Kathedrale, also _very_ long lasting, but some
   do disagree about here. Universale is _much_ better than nylon, it
   sounds like gut, feels like gut, tatstes like ... it is gut!" DvO
   %
   This is just the result of a rapid search as a reminder of what has
   been said over the last few years; and it may be something of a
   caricature. I note that no one has suggested that Keurschner top
   strings are particularly long lasting, although I believe these are
   also beef (and I know at least one gut enthusiast who likes them well
   for their sound). It may not be quite as simple as beef = long duration
   but slightly lean sound, sheep=shorter duration but warmer sound; of
   course the string maker's art goes beyond that.
   Also, do Toro and Gamut strings sound alike (I haven't tried either)?
   Are all Toro's treble strings made for each specialist seller (Baroco,
   La Folia, Universale, Toro) identical, or different? Jonathan Dunford
   seems to say that Corquoz does design the one for Baroco. Of course
   this brief message is not an attempt at being complete.
   Regards
   Anthony
   ________________________________
   De : William Samson <[8]willsam...@yahoo.co.uk>
   A : David Smith <[9]d...@dolcesfogato.com>
   Cc : "[10]lute@cs.dartmouth.edu" <[11]lute@cs.dartmouth.edu>
   Envoye le : Jeudi 19 janvier 2012 9h28
   Objet : [LUTE] Re: String hairs
      Unless you want to be continually replacing your first string, you
      should either drop to a lower pitch standard (even a semitone will
      increase the lifespan quite significantly) or if that isn't an
   option
      (horror of horrors) use a synthetic (e.g. nylgut) string for your
      first.  There's always the forlorn hope that somebody will start
      producing stronger gut, but I wouldn't hold my breath.
      Maybe one of us knows more than me about the process of giving gut
   an
      even diameter, but I have heard there are two options, one involving
      the abrasion of the 'rough' string, and the other using strings that
      have been very carefully hand-made with selected strips and don't
   need
      grinding of the string's surface to make it even.  The latter type
      would be stronger, but I wouldn't know where to buy them.
      Bill
      From: David Smith <[12]d...@dolcesfogato.com>
      To: Lute List <[13]lute@cs.dartmouth.edu>
      Sent: Thursday, 19 January 2012, 6:25
      Subject: [LUTE] String hairs
        I have a new lute that has gut strings on it. I have had it for
   about
      3
        days. The 1^st string has unraveled a single "hair" about the 7^th
        fret. In the past I have just cut these as short as possible but
        frequently the string breaks within a couple of weeks. Is there
   any
        better way to treat these "hairs"?
        I play with no nails and have been very careful so am somewhat
        surprised at this happening so quickly. Is this common with gut
        strings?
        Thanks for any words of wisdom.
        Regards
        David
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      To get on or off this list see list information at
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   References
      1. [15]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://gamutmusic.squarespace.com/beef-gut/
   2. http://gamutmusic.squarespace.com/news/new-beef-gut-strings.html
   3. http://www.mail-archive.com/lute@cs.dartmouth.edu/msg26619.html
   4. http://www.mail-archive.com/lute@cs.dartmouth.edu/msg38490.html
   5. http://www.mail-archive.com/lute@cs.dartmouth.edu/msg26619.html
   6. http://launch.groups.yahoo.com/group/ViolaDaGamba/message/970
   7. http://www.mail-archive.com/lute@cs.dartmouth.edu/msg26575.html
   8. http://us.mc817.mail.yahoo.com/mc/compose?to=willsam...@yahoo.co.uk
   9. http://us.mc817.mail.yahoo.com/mc/compose?to=d...@dolcesfogato.com
  10. http://us.mc817.mail.yahoo.com/mc/compose?to=lute@cs.dartmouth.edu
  11. http://us.mc817.mail.yahoo.com/mc/compose?to=lute@cs.dartmouth.edu
  12. http://us.mc817.mail.yahoo.com/mc/compose?to=d...@dolcesfogato.com
  13. http://us.mc817.mail.yahoo.com/mc/compose?to=lute@cs.dartmouth.edu
  14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  15. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



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