Hi Franz,

   Looks like nobody else is going to jump in here, so I'm about to do so
   - with both feet . . .

   Why do people want to tune their lutes in something other than equal
   temperament?  Answer - so they sound better, with no clashing intervals
   leading to rapid beats.
   Does this necessarily involve moving frets around?  In my opinion you
   can get a pretty good tuning without necessarily moving your (already
   loose!) frets around.

   The important thing is to make sure that the notes that are played in
   the chords of a piece sound good together.  The main culprit is the
   major third interval, which, around middle C, beats at about 10 beats
   per second when the tuning is in equal temperament.  The solution is to
   flatten the thirds of commonly used chords a fraction, to reduce the
   beat rate.  For many pieces of music this can be achieved by playing
   the important chords of that piece and adjusting the tuning so they
   sound right.

   Other intervals produce beats, too, in equal temperament, but the major
   third is the most obvious and potentially unpleasant.

   The problem with shifting frets around is that although you might get a
   very pure scale in a particular key, intervals in more remote keys can
   sound dreadful.  For example, if you pull the fourth fret back towards
   the nut to give a pure major third interval with the fifth fret on the
   second string and fourth fret on the first string, you can play a
   dreadful sounding major third with  the fourth fret on the second
   string and the third fret on the first string.  Of course this is an
   unlikely chord to find in a piece in vieil ton tuning.  All I'm saying
   is that one set of fret placements won't work for all intervals.

   More important than temperament in tuning a lute is to make sure the
   two strings of each course agree perfectly and that there are no beats
   when they are plucked together.  So pure unisons and octaves are of the
   first importance.  Any disagreement leads to an unattractive sound.

   Knowing the intricacies of the various kinds of meantone and other
   tunings is not necessary - Just be aware of them and let your ear be
   your guide.

   Bill ( ducking behind his desk to avoid the flak . . .)
   From: Franz Mechsner <franz.mechs...@northumbria.ac.uk>
   To: lute list <lute@cs.dartmouth.edu>
   Sent: Saturday, 25 February 2012, 12:33
   Subject: [LUTE] Re: free willing frets
     oooops, many apologies - I just realize that there was a discussion
   on
     loosened frets quite recently which I missed due to being busy...
   I'll
     have a look. But my second question still stands.
     Best
     Franz
       __________________________________________________________________
     Von: [1]lute-...@cs.dartmouth.edu im Auftrag von Franz Mechsner
     Gesendet: Sa 25.02.2012 13:13
     An: lute list
     Betreff: [LUTE] free willing frets
         Dear Wisdom,
         My frets are getting loose (late wintertime? too much
   playing?...).
     In
         spite of much care from my part not to touch them they slip
   around
     with
         a dedicated sense of free will during playing, reducing the joy
         of it. So obviously I have some loosening-frets-beginner's
     questions,
         such as: (1) Why might this happen? Is this usual as time goes
   by?
     (2)
         What can one do best to tighten them.
         In connection, I dare to pose an age-old question of mine, which
   is
         also a beginner's question: There has been much discussion in the
     list
         about tuning systems, adjusting the frets according to the tuning
         system and the particular piece at hand etc. It seemed to me that
         lutenists should be familiar with all this and the better of them
     are,
         but things also seemed utterly complicated and practice-demanding
     thus
         I did not get a good start with it. Or to put it more precisely:
   I
         collected quite some stuff from internet, even bought a book but,
   as
         said, it all frigthened me as it looked like so much work.
   Therefore
     my
         question: Is there a primer around for lutenists which allows
         understanding and getting practical as well, i.e., being able to
   set
         the frets etc. according to one's informed best idea how the
   piece
         should sound??? Or is there advice how to proceed best? And: How
     much
         time does one need to invest to acquire this skill at an
   elementary
         workable level?
         Best regards
         Franz
         ----------------------------------------------------
         Dr. Franz Mechsner
         Reader
         Northumbria University, Dept. of Psychology
         Northumberland Building
         Newcastle upon Tyne NE1 8ST (UK)
         Tel:  +44(0) 191 243 7479
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