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<body class='hmmessage'><div dir='ltr'>Edward:<br><br>That would be yes.&nbsp; 
Extended lutes were not necessarily as popular then as they are now and, 
according to Victor Coelho, the bulk of 17th century Italian manuscript sources 
features music for 7-course lute.&nbsp; <br><br>See the article. <strong 
class="style33" style="margin-top: 0; margin-bottom: 0;">“Authority, 
                                  Autonomy, and Interpretation in 
Seventeenth-Century 
                                  Italian Lute Music,”</strong> in 
<em>Performance 
                                    on Lute, Guitar, and Vihuela: Historical 
Practice 
                                    and Modern Interpretation</em>, ed. Victor 
Coelho, 
                                  Cambridge Studies in Performance Practice. 
Cambridge: 
                                  Cambridge University Press, 1997: 
108-41<br><br>It looks like you can download a pdf of the article on the page 
that lists Victor's publications:<br><br><a 
href="http://people.bu.edu/blues/acad_pub.html";>http://people.bu.edu/blues/acad_pub.html</a>
 <br><br><br>RA<br><br><br><div>&gt; Date: Thu, 5 Sep 2013 12:27:05 
+0800<br>&gt; To: lute@cs.dartmouth.edu<br>&gt; From: 
edward.y...@gmail.com<br>&gt; Subject: [LUTE] Un-Extended Lutes in the 
1600s<br>&gt; <br>&gt; Hi all!<br>&gt; <br>&gt; I was musing on the development 
of the lute in Italy in the transitional period between the Renaissance and 
Baroque, and wondering how long un-extended lutes continued to be played and in 
use.<br>&gt; <br>&gt; Would it be correct to say that the theorboed lute or 
liuto attiorbato with double courses all the way down the diapasons was the 
normal solo lute in the later period? Is it likely that anyone still had an old 
6-10 course instrument, and would have used it!
  in this period, perhaps even to make up massed numbers on such occasions as 
the 1589 Medici wedding or suchlike?<br>&gt; <br>&gt; Is there any evidence of 
un-giraffed lutes continuing in use in this period? Would it be plausible that 
in a chamber setting, someone might use an old 7-8 course to accompany some 
Caccini?<br>&gt; <br>&gt; I'm accompanying some singers later this month and 
the repertoire stretches from Sermisy and Arcadelt to Monteverdi and Caccini. 
Ideally I'd use my little 7-course for the madrigals and my archlute for the 
later stuff, and obviously transport-wise it'd be easier to use my 7-course for 
everything, but don't want to fall foul of the early music police...<br>&gt; 
<br>&gt; Edward<br>&gt; <br>&gt; ========<br>&gt; <br>&gt; τούτο 
ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ 
επέμφθη.<br>&gt; Hæ litteræ electronicæ ab iPhono missæ 
sunt.<br>&gt; 此電子郵件發送于自吾iPhone。<br>&gt; This e-mai!
 l was sent from my iPhone.<br>&gt; <br>&gt; <br>&gt; <br>&gt; !
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