Another digression, I know...  My studies of wood finishing concludes that
more products were varnished than not.  We talk a lot about oil and other
finishes, but varnishes and shellacs of various types were the most common.
Varnished wood products darken with age.  Varnished wood from the mid to
late 20th Century is darker now than when new.  Varnished wood from the 16h
Century has generally taken on a good bit of amber color.  The lute Hans
Holbein used in his painting, The Ambassadors, had a nice light color.  Had
that lute survived, and had it been originally varnished, I'll bet would be
much darker today.  Most old wood stains that I know of were made from acid
with iron filings dissolved in the solution.  I wonder what would happen to
egg white finishes on soundboards?  

I wish I could remember where I read about ebony pegs going out of round.
It was in some article about vihuelas or lutes.  I'll look.

CB

-----Original Message-----
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of William Samson
Sent: Monday, September 30, 2013 1:42 PM
To: co...@medievalist.org; Lute List
Subject: [LUTE] Re: Ebony Pegs Redux

   As far as I can tell ebony was not used a lot for tuning pegs
   throughout the history of the lute - museum catalogues often describe
   peg material as 'stained fruitwood'.

   The iconography of pre-1580ish lutes shows that they usually had a
   blonde finish, and that includes the pegs.

   One curious thing, though, is that Mace described Laux Maler's lutes as
   having a 'dark reddish black' colour which does not chime with most
   paintings of lutes in that period.

   Has anyone any idea of why this should be the case?  Could they all
   have been stained/varnished at some point?

   Bill
   From: "co...@medievalist.org" <co...@medievalist.org>
   To: Lute List <lute@cs.dartmouth.edu>
   Sent: Monday, 30 September 2013, 11:33
   Subject: [LUTE] Ebony Pegs Redux
   All,
   The discussion of pegs going out of round is interesting, but it isn't
   addressing my original question, which was whether ebony was used in
   pre-1600 instrument building (or for that matter what other woods would
   have been used in lieu of ebony) and if there is any documentation off
   this which I can get my hands on. I'd appreciate any information on
   this subject. Thank you.
   Regards,
   Craig
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References

   1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


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