> Has anyone ever done a study of possible wrong notes in ‘Forlorne Hope?” In > Alonso Mudarra’s Fantasia, there is, according to Pujol, a comment: ‘There > are are few false notes but they do not sound bad if played well’. So it may > be an over reach to assume that unusual sounds may have a high probability of > being typographical errors.
> This is certainly his famous Fantasía que contrahaze el arpa en la manera de Ludovico > and he wants to say that the false relations sound fine if played fast enough. > There are no "wrong" notes. Indeed, and it was Mudarra himself who wrote those words concerning "false notes" in his fantasia. Mathias To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html