Thanks to Alain for spotting a new one!
   As I see it, there should be a chromatic theme that is
   considerable within the piece, not just a chromatic
   modulation or two. The Doni lute book recently
   mentioned seems to have potential entries. :)
   G.
   On Fri, Jan 19, 2018 at 10:48 PM, Tristan von Neumann
   <[1]tristanvonneum...@gmx.de> wrote:

     That's funny. I played just today from the Cherbury Book (and failed
     mostly, these pieces are quite tricky). I didn't get to this piece.
     Thanks! I had looked at it once, but didn't remember.
     One question:
     What do you people consider "chromatic"? Do you mean with a
     chromatic theme or just with passages that feature more than one
     half tone step in a row?
     For example would you consider m. 15 in the Preamble 2 from
     Newsidler Vol. 2. noteworthy in that regard?

   Am 19.01.2018 um 21:10 schrieb Alain Veylit:

     Goran,
     I think you could add: Fantasia Diomedes - [Cherbury lute book fol.
     38/1] to that list. Apologies if this was already in your list.
     [2]http://fandango.musickshandmade.com/files/images/cherbury/
     Cherbury_78.jpg
     Alain
     On 12/19/2017 02:37 PM, G. C. wrote:

           A quick online archive search also gives a. o. some partial
     chromatic
           pieces:
           15. Peter Philips Galliard to the Chromatic Pavan
           16.     "Michelangelo Galilei has some touches of
     chromaticism.
           I wonder if Gesualdo's instrumental gagliarda could be
     transcribed for
           lute."
           (Christopher Wilke 2013)
           As Susan Sandman also suggested recently M. Galilei (Toccata
     8)
           17. Martino Trio VI Allemande Menuet (?)
           18. Arioso from the St John Passion, with all those chromatic
     bass
           notes (?)
           19. (?)     CH.Mouton/Dubut(?): Prelude - Chaconne (track 21
     of Lutz
           Kirchoff's
           "Lute in Dance and Dream" has a couple of variations with a
     chromatic
           line)
     20. Charles Mouton Le tocsein (using means of chromatic escalation
     at the
     conclusions of the 1st half. M. RÃÆÃ ¶sel)
     21. David Kellner Chaconne (In this facsimile, the last variation
     gets VERY chro
     matic
     and discordant, to the point where I wonder if there are errors, or
     even if the last few lines are misplaced from another piece. D.
     Shoskes)
           G.
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References

   1. mailto:tristanvonneum...@gmx.de
   2. http://fandango.musickshandmade.com/files/images/cherbury/Cherbury_78.jpg
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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