Wayne,
please forgive me :)
Rainer
On 30.01.2018 15:51, wbc wrote:
You can see this as tablature at
http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?drafts/rainer.pdf
<http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?drafts/rainer.pdf> if
you can stand the ugly font.
Wayne
Begin forwarded message:
From: Rainer <rads.bera_g...@t-online.de>
Subject: [LUTE] Re: tone colour echo
Date: January 30, 2018 at 8:53:19 AM EST
To: Lute net <lute@cs.dartmouth.edu>
You seem to have completely misunderstood me.
I mean the same notes in the same octave.
Attachments are not allowed here. Therefore I am sending the tab source for the
version from Marsh.
Save it and open with Fronimo or compile with tab.
Note: the lute font looks ugly but I cannot send the font I created for tab.
Rainer
%-------------------------------------------------
$flagstyle=standard
%$lutefont=holb
-highlightparen
-R9
-c
%-K
%$sys-skip=0.21
% ########
% System 1
% ########
6!
b!
% =====
% Bar 1
% =====
1 d
2 d
2. d
3a
2c
b
% =====
% Bar 2
% =====
1d
2d
2.d
3f
2h
b
% =====
% Bar 3
% =====
1f
2d
#3f
xd
xc
xa
2c
b
% =====
% Bar 4
% =====
1d
2d
2.d
3c
2a
b
% =====
% Bar 5
% =====
2 d
#3 a
x b
2 d
#3 a
x b
x d
x b
x a
x d
b
b
% =====
% Bar 6
% =====
#3 b
x a
x b
x d
2 a
#3 a
x b
x d
xa
xc
xd
b
% =====
% Bar 7
% =====
#3c
xa
xc
xd
2f
#3 d
x c
x d
xa
2c
b
% =====
% Bar 8
% =====
2d
#3c
xa
x d
x b
#3 a
x d
x b
x a
2 b
b
% =====
% Bar 9
% =====
#2d
xf
xh
#2f
xh
xd
b
b
% ======
% Bar 10
% ======
#2c
xd
xf
#2c
xf
xd
b
% ======
% Bar 11
% ======
#2c
xd
xf
#2 d
xd
xc
b
% ======
% Bar 12
% ======
1a
2a
1a
2c
b
% ======
% Bar 13
% ======
#2d
xf
xd
#2c
xd
xf
b
% ======
% Bar 14
% ======
#2h
xf
xi
#2h
xf
xd
b
b
% ======
% Bar 15
% ======
#2c
xa
x d
#3 f
x d
x c
x a
2 c
b
% ======
% Bar 16
% ======
1 d
2 d
2. d
3a
2c
b
% ======
% Bar 17
% ======
#3d
xc
xd
xf
2d
#3c
xa
xc
xd
2c
b
% ======
% Bar 18
% ======
#3h
xf
xh
xi
2h
#3f
xe
xf
xh
2f
b
b
% ======
% Bar 19
% ======
#3 f
x e
x f
x h
2 f
#3 c
x a
x c
x d
2 c
b
% ======
% Bar 20
% ======
#3 d
xa
xc
xd
2f
#3f
xd
xc
xa
2 d
bb
% ======
% Bar 21
% ======
#3 a
x c
x a
x b
2 d
#3 d
x b
x a
x c
2 a
b
% ======
% Bar 22
% ======
#3 b
x d
x a
x b
2 d
#3 d
x b
x a
x d
2 b
b
b
% ======
% Bar 23
% ======
#3 d
x b
x d
x a
2 b
#3 b
x a
x d
x b
2 d
b
% ======
% Bar 24
% ======
2 a
#3 b
x d
xa
xc
2d
#3f
xd
xc
xa
b
% ======
% Bar 25
% ======
2 d
#3 a
x b
2 d
#3 d
x a
x b
x d
xa
xc
b
% ======
% Bar 26
% ======
2d
#3a
xc
2d
#3a
xc
xd
xf
2h
b
b
% ======
% Bar 27
% ======
#3f
x i
xf
xh
2i
#3i
xh
xf
x i
2 h
b
% ======
% Bar 28
% ======
#3h
x l
xh
xi
2l
#3l
xi
xh
x l
2 i
b
% ======
% Bar 29
% ======
#3h
xi
#2l
xl
#2l
xh
x i
b
% ======
% Bar 30
% ======
#3c
xd
#2f
xf
#2f
xc
x d
b
b
% ======
% Bar 31
% ======
#3f
xd
xc
xa
x d
xa
#3c
xa
xd
xc
xa
x d
b
% ======
% Bar 32
% ======
2.a
3c
2a
#3 d
x a
x c
x d
xa
xc
b
% ======
% Bar 33
% ======
2d
#3a
xc
2d
2c
#3 d
xa
2c
b
% ======
% Bar 34
% ======
2h
#3 i
xf
2h
2f
#3c
xd
2f
b
b
% ======
% Bar 35
% ======
2 f
#3 c
x d
2 f
2 c
#3 d
x a
2 c
b
% ======
% Bar 36
% ======
#3 d
xa
xc
xd
2f
#3i
xh
xf
x i
2 h
b
% ======
% Bar 37
% ======
2d
#3 d
xa
xc
xd
2c
#3a
xc
xd
xf
b
% ======
% Bar 38
% ======
2h
#3 h
x i
xf
xh
2f
#3a
xc
xd
xf
b
b
% ======
% Bar 39
% ======
#3a
xc
xd
xc
xa
x d
#3 f
x d
x c
x a
2 c
b
% ======
% Bar 40
% ======
2 d
#3 d
x a
x b
x a
#3 d
x b
x a
x c
2 a
bb
% ======
% Bar 41
% ======
2. d
3 b
2 d
#2 a
x b
x d
b
% ======
% Bar 42
% ======
2 a
#3 b
x d
xa
xc
#3d
xc
xd
xf
2h
b
b
% ======
% Bar 43
% ======
#3f
xd
xc
xa
2 d
#3i
xh
xf
x i
2 h
b
% ======
% Bar 44
% ======
#3 i
x l
xh
xi
2l
#3 b
x d
xa
xc
2d
b
% ======
% Bar 45
% ======
#2c
xd
xf
#2 d
xd
xc
b
% ======
% Bar 46
% ======
2d
#3a
xc
xd
xf
#3h
xf
xd
xc
2d
b
% ======
% Bar 47
% ======
2c
#3 d
xa
xc
xd
#3f
xd
xc
xa
2c
b
b
% ======
% Bar 48
% ======
2d
#3c
xa
x d
x b
#3 a
x d
x b
x a
2 b
b
% ======
% Bar 49
% ======
#3d
xc
xd
xf
2h
#2h
xi
xl
b
% ======
% Bar 50
% ======
#3 d
x c
x d
xa
2c
#2c
xd
xf
b
% ======
% Bar 51
% ======
2f
#3c
xd
2f
#3f
xd
xc
xa
2 d
b
b
% ======
% Bar 52
% ======
2.a
3c
2a
#3 d
x a
x c
x d
xa
xc
b
% ======
% Bar 53
% ======
#2d
xa
xd
#2c
x d
xf
b
% ======
% Bar 54
% ======
#2d
xa
xd
#2c
x d
xc
b
% ======
% Bar 55
% ======
#3a
xc
xd
xc
xa
x d
#3 f
x d
x c
x a
2 c
b
b
% ======
% Bar 56
% ======
#3 d
xa
xc
xd
xf
xh
#3i
xh
xf
x i
2 h
b
% ======
% Bar 57
% ======
2 i
#3 f
x h
2 i
2 h
#3 i
x f
2 h
b
% ======
% Bar 58
% ======
2d
#3a
xc
2d
2c
#3 d
xa
2c
b
% ======
% Bar 59
% ======
#3f
xd
xc
xa
xd
xc
#3a
x d
x c
x a
x d
x c
b
% ======
% Bar 60
% ======
#2 d
xl
xk
1.l a
b
B
{/}
b.
% =====
% Bar 1
% =====
1 daa
2 a
2. daa
3 b
2 d
b
% =====
% Bar 2
% =====
1 ab d
2 a
2. ab d
3 b
2 d
b
% =====
% Bar 3
% =====
1 dda
2 d
2. daa
3 b
2 d
b
% =====
% Bar 4
% =====
1. aba d
1. aba d
b
b
% =====
% Bar 5
% =====
1 daa
2 a
2. daa
3 b
2 d
b
% =====
% Bar 6
% =====
1 ab d
2 a
2. ab d
3 b
2 d
b
% =====
% Bar 7
% =====
1 dda
2 d
2. daa
3 b
2 d
b
% =====
% Bar 8
% =====
1. aba d
1. aba d
b
b
% =====
% Bar 9
% =====
1 aba d
2 ab
1 dba d
2 db
b
% ======
% Bar 10
% ======
1 dda
2 d
1 daa
2 da
b
% ======
% Bar 11
% ======
1 dda
2 d
1 daa
2 da
b
% ======
% Bar 12
% ======
1. cdca
2. cdca
3 a
2 c
b
b
% ======
% Bar 13
% ======
1 dba d
2 dba
1 dda
2 dda
b
% ======
% Bar 14
% ======
1 dba d
2 dba
1 dda
2 dda
b
% ======
% Bar 15
% ======
1 cdca
2 cdc
1 cdca
2 cdc
b
% ======
% Bar 16
% ======
1 dda
2 daa
2. daa
3 b
2 d
b
b
% ======
% Bar 17
% ======
1 dba d
2 dba
1 dda
2 dda
b
% ======
% Bar 18
% ======
1 dba d
2 dba
1 dda
2 dda
b
% ======
% Bar 19
% ======
1 cdca
2 cdc
1 cdca
2 cdc
b
% ======
% Bar 20
% ======
1 dda
2 daa
2. daa
3 b
2 d
.b
B
e
On 30.01.2018 14:22, Tristan von Neumann wrote:
If what you describe is what I think it is, then I love tone color echoes!
Check out:
Milán Fantasia 35 - m. 125-130
and from Siena folio 21
m. 40-44
I have seen this in many other pieces, when I find some I'll post it here.
Am 30.01.2018 um 11:42 schrieb Rainer:
Dear lute netters,
I may have posted this may years ago already - I don't remember.
In the duet treble "Sellinger's Round" (Marsh, p. 182 and Dd.3.18, f. 5r) there
is a tone colour echo in bars 57 and 58 - the same notes on different courses.
I wonder if anybody knows of any other such echo in Renaissance lute music.
By the way, it is tempting to play a similar echo on bars 53 and 54.
Rainer
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