For what it's worth, here is a reminder of an experiment how false claims, repeated over and over again, become accepted by some individuals. Tristan, I see your attempts to convince people precisely in this line of practice.
To simply your google research, here's a link to a wiki article https://en.wikipedia.org/wiki/Illusory_truth_effect Enjoy reading Jurgen ---------------------------------- “There is a voice that doesn’t use words. Listen.” Jalāl ad-Dīn Muhammad Rumi ‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐ On 9 August 2018 2:07 AM, Tristan von Neumann <tristanvonneum...@gmx.de> wrote: > This version is even better. > > Imagine this is the late 16th century singing by the Donne di Ferrara or > similar groups... > > https://soundcloud.com/tristan-von-neumann/francesco-siena-no-62-eri-jaane-na-doongi-raga-kamod-nirali-kartik-version-iii > > Am 08.08.2018 um 19:22 schrieb Tristan von Neumann: > > > Dear Lutists, > > Francesco and Ganassi fans will rejoice over this sweet unification as > > Ronu Majumdar plays quite some improv "over" the Francesco background. > > https://soundcloud.com/tristan-von-neumann/siena-62-francesco-raga-kamod-ronu-majumdar > > Sorry for the not so beautiful playing, it's quite heavy for me to > > concentrate on the groove while playing right. > > But I hope to prove a point - that is that the criteria of choice in the > > Siena Ms. seem to be conciously implying that modes also have a certain > > overarching structure that must be followed, hence the great similarity > > in many of the fantasies of the same mode. > > Maybe a better lutist than yours truly can do a better mix - the Raga is > > to be found on youtube and can be used as a playback. > > I did not change the pitch, so this should work with a G lute. > > Also other places to insert this or similar fantasies may appear when > > trying something. > > To get on or off this list see list information at > > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
