Hi Martyn,

   thank you very much to inform me in matter.

   The open question about this instrument is still today not totally
   solved.

   So, I am doing my job concerning the strings only around the instrument
   that was in use in Germany around 1740-90  with 6 course (Niggel types)
   or even more (for example Wenger models).

   I agree with you that a such instrument sould be quite loud and
   competitive to the 7 bass viol (there are some historical sources that
   mention this thing).


   The problem is  all round the use of the overspan strings, but only
   those thatb employ silk in the cores (those with gut cores are less
   loud)

   But the first mention of silk cores (5 course guitars come form
   Guerrero (Spain 1760's) who wrote that in Spain they use wound silk
   wound strings because they are louder than the traditional wound
   strings with gut cores. Then there is Corrette that suggest the use of
   silk cores.

   At today the only mention od possible silk cores come form John
   Playford in 1664 but Both T Mace and Talbot do not mentioned them at
   all.

   Need more investigations

   Ciao

   Mimmo


   Da: Martyn Hodgson <hodgsonmar...@yahoo.co.uk>
   Inviato: sabato 23 novembre 2019 10:31
   A: Mimmo - Aquila Corde Armoniche <mperu...@aquilacorde.com>; Lute List
   <lute@cs.dartmouth.edu>
   Oggetto: Fw: [LUTE] Calchedon strnging was Re: Mandora/Gallichon
   website


   Dear Mimmo,


   Sorry, in my earlier I gave the wrong year for the Edlinger calchedon:
   - it should be 1728 not 1729 (the latter is the year Edlinger died).
   The instrument is part of the collection in the Narodnì Museum,
   Prague. Here's a link to a Czech language magazine site with a pic.


   [1]https://www.google.com/url?sa=i&source=images&cd=&ved*hUKEwi4ydqF-__
   lAhWu34UKHXUXBB0QjRx6BAgBEAQ&url=http%3A%2F%2Fhudebnirozhledy.scena.cz%
   2Fwww%2Findex.php%3Fpage%3Dclanek%26id_clanku%3D2519&psig=AOvVaw3UC3UL_
   IcQLJPxLR8YZdod&ust74585668331802


   regards


   Martyn


   ----- Forwarded message -----

   From: Martyn Hodgson <[2]hodgsonmar...@mail.cs.dartmouth.edu>

   To: Braig, Eugene <[3]brai...@osu.edu>; [4]lute@cs.dartmouth.edu
   <[5]lute@cs.dartmouth.edu>; Mimmo - Aquila Corde Armoniche
   <[6]mperu...@aquilacorde.com>

   Sent: Friday, 22 November 2019, 12:34:24 GMT

   Subject: [LUTE] Calchedon strnging was Re: Mandora/Gallichon website


     Hello Mimmo,

     By coincidence I've also been developing a paper on early gallichon

     stringing for some time now, but have made but poor progress - mainly

     due to lack of suitable iconography showing such details in enough

     detail to draw definitive conclusions.

     My own thesis is that the very earliest calchedons/gallichons, were

     developed in Bohemia and northern Austrian lands in the 1660s and
   made

     use of the newly invented overwound strings to give a robust bass
   down

     to contabass ,A ( ie almost as low as the theorbo lowest bass)  and
   so

     produce an easily manageable instrument able to play chromatically in

     the lowest register. The Edlinger of 1729 is, I think, a particularly

     good example of the fully developed large continuo form of the

     instrument (though I think there may have been some modifications to

     the finial of the pegbox).

     This instrument is is mentioned in the recent FoMRHI paper (link
   below)

     as is also the possible relationships to the Italian instrument
   briefly

     touched on in my earlier.  Much food for thought....


   [1][7]https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-13
   1/C

     omm%202037.pdf

     regards

     Martyn


     On Friday, 22 November 2019, 10:08:17 GMT, Mimmo - Aquila Corde

     Armoniche <[8]mperu...@aquilacorde.com> wrote:

     Hello,

     This si really a good idea.

     I have this contribute that, in my opinion, the best painting

     concerning Gallichon/Mandora (I am doing article in matter of a

     possible historical string setup)


   [2][9]https://www.hampel-auctions.com/online-catalog-fullscreen.html?a0

     &s=-1&ch3

     Mimmo Peruffo

     -----Messaggio originale-----

     Da: [3][10]lute-...@new-old-mail.cs.dartmouth.edu

     <[4][11]lute-...@new-old-mail.cs.dartmouth.edu> Per conto di Braig,
   Eugene

     Inviato: giovedì 21 novembre 2019 19:32

     A: [5][12]lute@cs.dartmouth.edu

     Oggetto: [LUTE] Re: Mandora/Gallichon website

     I look forward to watching the site develop.  Thank you, Rainer.

     Eugene

     -----Original Message-----

     From: [6][13]lute-...@new-old-mail.cs.dartmouth.edu

     <[7][14]lute-...@new-old-mail.cs.dartmouth.edu> On Behalf Of

     Seicento/Rainer Luckhardt

     Sent: Thursday, November 21, 2019 1:26 PM

     To: [8][15]lute@cs.dartmouth.edu

     Subject: [LUTE] Mandora/Gallichon website

     Dear Lute-List,

     I'm going to set up a website about the 18th century
   mandora/gallichon.

     This might be a place for general information about the
   instrument(s),

     its history, where it has been played, composers, and, and,
   and.....but

     also information about where to find a player, a lutemaker, and last

     but not least a download page for lots of pieces.

     Those who already know a bit about 18th century mandora music: don't
   be

     afraid! I'm not going to present hundreds of bad and boaring menuets

     there. Amongst all the manuscripts which I have (quite a lot, in copy

     of

     course) I've found many interesting pieces, technically not to much

     demanding, often with nice melodies, and sometimes music of high

     quality in baroque or gallant style.

     During the last years I've made a collection of my favorite pieces
   and

     suites, and I made readable copies of it with Fronimo. Probably other

     mandora players did the same. So why not putting together the whole

     mandora wisdom and repertoire and collect it in the web, downloadable

     for free and open to all.

     That's quite a lot of work of which I've already done a bit.
   Therefore

     I would like to ask the mandora players of amongst us (I know there
   are

     some....)  to participate to this idea, and to contribute whatever

     might be of interest.

     You can have a look to this very basic website with just an
   index-page,

     a completely empty "about Mandora"-page and the impressum (which is

     obligatory in Germany).

     The web adress is:  [16]www.gallichon.de

     But some buttons are already there, and so at least you can see which

     themes I have integrated until now. But that's just work in progress,

     and to be filled with real information soon. If you have any
   suggestion

     about what else should be there, if you have any material to share,

     don't hesitate to contact me. The website shall be in english and

     german. As you certainly have seen I'm not a native speaker. Any help

     in transforming my poor english into something closer to good english

     is welcome.

     Let's try it.

     Rainer

     --

     ______________________

     SEICENTO-Notenversand

     Rainer Luckhardt

     Holbeinstrasse 12

     D-79312 Emmendingen

     Tel. ++49/(0)7641 - 932803

     Internet: [17]www.seicentomusic.de

     VAT/UID-Nr. DE 142 047 317

     To get on or off this list see list information at

     [9][18]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


     --


   References


     1.
   [19]https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-131/
   Comm 2037.pdf

     2.
   [20]https://www.hampel-auctions.com/online-catalog-fullscreen.html?a0&s
   =-1&ch3

     3. mailto:[21]lute-...@new-old-mail.cs.dartmouth.edu

     4. mailto:[22]lute-...@new-old-mail.cs.dartmouth.edu

     5. mailto:[23]lute@cs.dartmouth.edu

     6. mailto:[24]lute-...@new-old-mail.cs.dartmouth.edu

     7. mailto:[25]lute-...@new-old-mail.cs.dartmouth.edu

     8. mailto:[26]lute@cs.dartmouth.edu

     9. [27]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

References

   1. 
https://www.google.com/url?sa=i&source=images&cd=&ved*hUKEwi4ydqF-__lAhWu34UKHXUXBB0QjRx6BAgBEAQ&url=http://hudebnirozhledy.scena.cz/www/index.php?page=clanek&id_clanku=2519&psig=AOvVaw3UC3UL_IcQLJPxLR8YZdod&ust74585668331802
   2. mailto:hodgsonmar...@mail.cs.dartmouth.edu
   3. mailto:brai...@osu.edu
   4. mailto:lute@cs.dartmouth.edu
   5. mailto:lute@cs.dartmouth.edu
   6. mailto:mperu...@aquilacorde.com
   7. https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-131/C
   8. mailto:mperu...@aquilacorde.com
   9. https://www.hampel-auctions.com/online-catalog-fullscreen.html?a0
  10. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  11. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  12. mailto:lute@cs.dartmouth.edu
  13. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  14. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  15. mailto:lute@cs.dartmouth.edu
  16. http://www.gallichon.de/
  17. http://www.seicentomusic.de/
  18. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  19. https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-131/Comm 
  20. https://www.hampel-auctions.com/online-catalog-fullscreen.html?a0&s=-1&ch3
  21. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  22. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  23. mailto:lute@cs.dartmouth.edu
  24. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  25. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  26. mailto:lute@cs.dartmouth.edu
  27. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to