There have been numerous comments about the graying of lute enthusiasts. My personal experience may give us a little hope. I grew up in a very high Anglican church with William Byrd and other such composers. By the time I was ten early music was almost all of my music. When I was sixteen, 1958 I think, I bought my first Julian Bream lute record. Around 1960 - possibly 62, I found a six course Hauser style lute at the old Whittle Music Company in Dallas, Texas. I tuned it in guitar intervals so I could play some of the simple Renaissance dittys I'd learned from my very Cockney classical guitar teacher, Edward Freeman. The lute disappeared when I went into the U.S. armed forces in 1965. Afterwords I had numerous classical and flamenco guitars but no lute for a long time, but never lost interest. Through working with Harold Westover in the 1980s I built a seven course HIP lute and a six course vihuela de mano. Through my newly acquired skills in Harold's Westover Workshop for Historical Musical Instruments I had at one time or the other an eight course lute, a five course early lute, and a bowed vielle. Now all of this took place before age forty five. I truly believe there must have been more young people with similar inclinations. I couldn't have been the only one. Today my only lute is an eight course Manouk Papazian very non HIP instrument that I bought from Charles Mokotoff. HIP or non HIP I lov'em all. There must be some youngsters out there making the musical discoveries that I made back in those long lost 1950s.
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