In message <[EMAIL PROTECTED]>, Paul Neumann
<[EMAIL PROTECTED]> writes
>To Virgil: Aeneid Fans:
>Could the horse also signify an imposing culture that at first seems
>innocent and all other attributes  thought to be held within a horse ie.
>loyal, strong, (the cavalry was always the strongest in battles).

Not conclusively until the invention of the stirrup; classical Greek and
Roman armies were based on the infantry. (It is symptomatic of the
difference that _miles_ in classical Latin implies an infantryman, but
in medieval Latin means a knight.) However, the cavalry was the upper-
class arm.

> But with
>the acceptance of the horse [culture] which evolutionizes the traditional
>culture thought to be progress.

Homer, and the early Greek writers in general, do not believe in
progress, very much the reverse: the human race is getting weaker
(Homer), as well as more brutal and faithless (Hesiod); poetic
exaggeration apart, the epic poets believed, and rightly believed, that
Mycenaean society really was grander and more affluent than the society
in which they lived.

Whether Vergil believed in progress, other than the expansion of Roman
rule, is a question that might be worth discussing.

Leofranc Holford-Strevens
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Leofranc Holford-Strevens
67 St Bernard's Road                                         usque adeone
Oxford               scire MEVM nihil est, nisi ME scire hoc sciat alter?
OX2 6EJ

tel. +44 (0)1865 552808(home)/267865(work)          fax +44 (0)1865 512237
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