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Monday, February 25, 2008
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A Bound Man: Why We Are Excited about Obama and Why He Can't Wi




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Bound Man: Why We Are Excited about Obama and Why He Can't Win
by 
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Steele

Dreams from Obama
A Review by Darryl Pinckney

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a comment about this review on the Powells.com blog

On a surprisingly mild January afternoon in 
Harlem, the day of the Democratic primary in New 
Hampshire, my barber predicted that Senator 
Barack Obama would win by a landslide. He shut 
off his clippers and took the floor. "We need to 
pull for him. I'm sick of people saying, 'They'll 
never elect a black president.'"

A well-groomed man perhaps in his late thirties 
reminded us from the chair where his thick beard 
was being seen to that Obama won in Iowa, which 
was 98 percent white, and that he was about to 
win in another state that was 98 percent white. 
He said that he was ashamed of David Patterson 
and Charles Rangel, "our elected black 
officials," for not endorsing Obama, because no 
matter who got the nomination, the Democratic 
Party couldn't win the presidency without the 
African-American community, and therefore it 
didn't matter how angry at them for not 
supporting Clinton during the primaries anyone might be down the road.

I was going to point out that Assemblyman Adam 
Clayton Powell IV had come out for Obama when an 
even younger man with a heavy Jamaican accent 
said from the chair where his head was being 
shaved that it all depended on how developed was 
your racial consciousness. This young man, the 
black sheet still tied around his neck, got up 
and preached about Obama's readiness. I thought 
of the scenes in Richard Wright's fiction that 
present the black barbershop as a place where 
black people reveal what they really think, 
because black barbershops are more private even 
than black bars. Denny Moe's, at 133rd Street and 
Frederick Douglass Boulevard, with its polished 
tiles, pretty receptionist, and flat-screen TV 
for the play-offs, looked nothing like the small 
corner shop of my midwestern youth, but it served 
the same function as a forum.

The Jamaican youth, exhorting the few patrons in 
the large shop, seemed to represent the increased 
percentage of the black population who are 
immigrants. The youngest barber on the premises 
looked as much Latino, Italian, or Arab as black, 
one of those newfangled American youths about 
whom you can't guess anything, what nationality 
they are or where they're from, until you hear 
them talk or they tell you. He dapped fists with 
the dark-skinned Jamaican youth. I felt I was 
seeing a new youth vote, not just a reinvigorated 
black vote. There was a woman barber who went 
about her work and didn't join in. Because she 
was young, I wanted to assume that the "Obama for 
President" placard in the window spoke for her as 
well and that she would be annoyed or defiant if 
told that she was putting race before gender in supporting him.

In the past two presidential elections, black 
voters complained that they were taken for 
granted as the Democrats fought for the center 
ground only to find in both contests that there 
was no center, just one side or the other. On the 
side that black people for the most part were on, 
all too many of them found not enough polling 
stations in their neighborhoods, employers 
unsympathetic to their willingness to miss work 
in order to stand for hours on line at what 
polling stations there were, and challenges to 
their registration, never mind the shame of the 
Florida and then the Ohio results. However, dread 
of what the other side is capable of wasn't in 
evidence in my barbershop the afternoon of the 
New Hampshire primary, not even the mutterings 
that maybe "they," whoever "they" are, will kill 
Obama if he goes too far. Instead, there was 
excitement, the sense that something historic was 
happening, that an unprecedented national narrative was taking shape.

I was struck by how far the story had moved since 
the autumn, when many were saying that Obama's 
campaign had unraveled. Back then, Senator Joe 
Biden was derided for calling Obama "articulate" 
and "clean," but George Will was speaking from 
the same assumptions and in a similar code when 
on a Sunday morning talk show shortly after 
Christmas he called Obama "a great getting up in 
the morning time," because he wasn't Al Sharpton 
or Jesse Jackson. Obama is the assimilated black, 
such commentators want to say, as if an 
assimilated black didn't think about civil rights 
or, worse, as if civil rights were a narrow, 
passé issue. Meanwhile, Obama's candidacy is 
somehow separate from the success of black 
athletes and independent of the trust Oprah 
Winfrey's huge audience accords her. He is an 
expression of a general change, not the product of a star system.

He may not be identified with the Congressional 
Black Caucus, but his path has been prepared by 
the thousands of blacks elected to local, state, 
and national offices since the days of the 
National Black Convention in Gary, Indiana, in 
1972. Though, paradoxically, the low percentage 
of black people who register to vote has always 
been a frustration to political activists, black 
people have been visible in politics -- and other 
professions -- for a while. White America got 
used to black people turning up everywhere, 
except next door. Obama's way may also have been 
prepared by a generation of black anchorpeople on 
local TV stations, and years of hearing their mid-Atlantic accents.

People have been talking about the demonization 
of black youth since the introduction of harsh 
sentencing guidelines during the Reagan years, 
but it turns out that the nation had been 
absorbing another image of black people right 
alongside the lurid tales of gangs and guns. 
Because of affirmative action, the picture of 
America has changed. However unpopular it has 
been as public policy, affirmative action has 
succeeded in integrating the middle class. Obama 
is not exotic to white Americans. He is familiar, 
the really nice black guy who went to school with your son.

Though Obama has been praised by some for not 
making race an issue in his campaign, and for not 
coming off as the black candidate, his race most 
certainly is crucial to his broad appeal. Black 
people can appreciate as much as white people the 
inclusiveness of his mixed-race heritage and that 
his story is in part that of an immigrant. But 
this is not a color-blind election. People aren't 
voting for Obama in spite of the fact that he is 
black, or because he is only half-black, they are 
voting for him because he is black, and this is a 
whole new feeling in the country and in 
presidential politics. Forty years ago, Robert 
Kennedy was sharply criticized for saying that a 
black man probably could be elected president of 
the United States in fifty years' time. "Victory 
tonight," my barber, Mr. Sherlock, said as we shook hands.

Barack Obama was born in 1961, three years before 
the Freedom Summer of student sit-ins and 
nonviolent marches, when their political faith 
helped black Americans to face down the power of 
white mobs, fire hoses, and sheriffs with dogs. 
We look back on those times as the innocent days 
before Black Power and FBI shootouts, when white 
allies were still welcomed in the struggle. 
Obama's mother, a white, eighteen-year-old coed 
at the University of Hawaii, married its first 
African student, a Kenyan in his early twenties. 
When he went to Harvard to pursue a Ph.D. in 
economics, he left his wife and two-year-old son 
behind. After his return to Africa, he saw his 
son only once, when Obama was ten years old. He 
died when Obama was in his early twenties.

Obama's quest for the meaning of his absent 
father's life becomes a search for his own 
identity in 
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from My Father: A Story of Race and Inheritance. 
First published in 1995, beautifully written, it 
is the story of his youthful disaffection and 
salvation through community organizing in 
Chicago. He describes his childhood and 
adolescence in Hawaii, where "there were too many 
races, with power among them too diffuse, to 
impose the mainland's rigid caste system." Hawaii 
had been interrupted by Djakarta, where Obama 
lived between 1967 and 1971, when his mother 
married again, to an Indonesian engineer who 
would teach him how to defend himself and how to 
change a tire. His stepfather's brand of Islam 
accommodated elements of animism and Hinduism, 
but Obama understood in retrospect that the 
overthrow of Sukarno in 1965, and the massacre of 
Communists and ethnic Chinese, had changed his 
stepfather from the idealist his mother had met 
at the University of Hawaii to an incommunicative 
man intent on surviving in the new regime.

Unable to afford the International School in 
Djakarta and wary of the education he would get 
in the local schools, his mother eventually sent 
him back to his grandparents in Hawaii, to 
Punahou Academy, an elite prep school, where 
Obama encountered race in the form of white boys 
amused that his father was of the Luo tribe and a 
white girl who wanted to touch his hair. He 
distanced himself from the one other black 
student -- "a part of me felt trampled on, 
crushed" -- and in time was left alone, once the 
novelty of his presence had worn off, though his 
sense that he did not belong only increased. 
Before he left Indonesia, his mother had taken a 
job as an embassy secretary in order to pay for 
supplementary lessons for Obama from a US 
correspondence course. She woke him at four every 
weekday morning to give him three-hour English 
lessons. Obama realizes that she, "a lonely 
witness for secular humanism, a soldier for New 
Deal, Peace Corps, position-paper liberalism," 
kept alive his connection to America, to black America:

She would come home with books on the civil 
rights movement, the recordings of Mahalia 
Jackson, the speeches of Dr. King. When she told 
me stories of schoolchildren in the South who 
were forced to read books handed down from 
wealthier white schools but who went on to become 
doctors and lawyers and scientists, I felt 
chastened by my reluctance to wake up and study 
in the mornings.... Every black man was Thurgood 
Marshall or Sidney Poitier; every black woman 
Fannie Lou Hamer or Lena Horne. To be black was 
to be the beneficiary of a great inheritance, a 
special destiny, glorious burdens that only we were strong enough to bear.

This is reminiscent of Langston Hughes, who 
recalls in his autobiography that in the 
isolation of his Kansas childhood he was brought 
up on tales of racial heroism told to him by his 
grandmother, a widow of John Brown's raid.

Where Hughes submerged himself in the urban Black 
Belt to come into contact with a black identity, 
Obama had a "color-coded" popular culture of 
television, film, and radio that offered him "an 
arcade of images" and styles to choose from. He 
played basketball "with a consuming passion." He 
made white friends on the court and reminded his 
angry black friends that they weren't "consigned 
to some heatless housing project in Harlem." 
People were pleasantly surprised to meet a 
"well-mannered young black man who didn't seem angry all the time. "

He learned to slip back and forth between his 
black and white worlds, "understanding that each 
possessed its own language and customs and 
structures of meaning, convinced that with a bit 
of translation on my part the two worlds would 
eventually cohere." Yet racial self-consciousness 
left him on edge. "There was a trick there 
somewhere, although what the trick was, who was 
doing the tricking, and who was being tricked, eluded my conscious grasp. "

He read Du Bois, Hughes, Wright, Ellison, 
Baldwin, and concluded -- as only a young man can 
-- that each had ended his life exhausted and 
bitter. "Only Malcolm X's autobiography seemed to 
offer something different. His repeated acts of 
self-creation spoke to me." But in 1979 at 
Occidental College in Los Angeles he "stumbled 
upon one of the well-kept secrets about black 
people: that most of us weren't interested in 
revolt; that most of us were tired of thinking 
about race all the time." Yet when he remembers 
that a girl on campus from a multi-racial 
background nearly cried when she said that black 
people were trying to make her choose sides, that 
it was black people who always made everything 
about race, he reflects that integration was a 
one-way street, that the minority always 
assimilated into the dominant culture, as though 
only "white culture" could be nonracial, neutral, 
and objective. "Only white culture had individuals. "

Because he didn't want to be thought "a sellout," 
he chose his friends from among politically 
active blacks and foreign students -- Chicanos, 
Marxist professors, structural feminists, and 
punk rock performance poets discussing Fanon and 
patriarchy into the night. He had been involved 
in anti-apartheid and divestment campaigns, but 
feared that he would always be an outsider. After 
two years in California, Obama transferred to 
Columbia University. While in New York, he 
received a call from Africa, telling him that his 
father had died. Polygamous, his father had six 
other children by three different women (Obama's 
mother had a daughter from her second marriage).

Dreams from My Father ends with Obama's first 
journey to Kenya in 1987, as he is about to enter 
Harvard Law School. He tries to close the circle, 
and writes movingly of his efforts to understand 
his father and how Kenya's postcolonial politics 
nearly destroyed him. He was, as Obama's 
half-sister put it, punished by Jomo Kenyatta for 
telling people "that tribalism was going to ruin 
the country and that unqualified men were taking 
the best jobs." However, the heart of Obama's 
book is about finding himself after his 
graduation from Columbia, as a community organizer in Chicago.

Obama heard Jesse Jackson speak at a rally on 
125th Street, but he says he couldn't figure out 
how to join Harlem life. He spent three months 
working for a Ralph Nader offshoot, trying to 
convince City College students of the importance 
of recycling. Unemployed, he heard Stokely 
Carmichael, aka Kwame Touré, speak at Columbia 
about a vague plan to build economic ties between 
Africa and Harlem, and it seemed to him that the 
movement was dead. Obama doesn't say much about 
his New York experiences, but he gives the 
impression that he took a close look at the 
coke-addled, hedonist bazaar that Manhattan was 
for the young at the beginning of the Reagan era and knew it was not for him.

Obama confesses that in high school he found that 
pot, booze, or "a little blow" could sometimes 
push away nagging questions. Some critics have 
called Dreams from My Father almost naive in its 
candor, but few care about his drug use as an 
undergraduate. If anything, having brought up the 
subject, he would be scorned now had he not 
inhaled then. So many voters by now have similar 
casual histories; it is an acceptable rite of passage.

Obama corrected his course very quickly. What 
comes across in his touching memoir is not how 
lost he was, but how determined on the path to 
elected office he already was when writing his 
first book. It is the work of someone positioning 
himself, someone who understood instinctively 
Malcolm X's autobiography as a conversion 
narrative in the American grain. In 1983, what 
Obama needed was community. On his third day in 
Chicago, he passed Smitty's Barbershop on the 
edge of Hyde Park and the laughter drew him in. 
They were talking familiarly, affectionately, 
about Chicago's black mayor, Harold Washington, 
and how the white man tries to change the rules 
whenever a black man gets in power:

Clumps of hair fell into my lap as I listened to 
the men recall Harold's rise. He had run for 
mayor once before, shortly after the elder Daley 
died, but the candidacy had faltered -- a source 
of shame, the men told me, the lack of unity 
within the black community, the doubts that had to be overcome.
But Harold had tried again, and this time the 
people were ready. They had stuck with him when 
the press played up the income taxes he'd failed 
to pay.... They had rallied behind him when white 
Democratic committeemen...announced their support 
for the Republican candidate, saying that the 
city would go to hell if it had a black mayor. 
They had turned out in record numbers on election 
night, ministers and gang-bangers, young and old.

Though he was young and hadn't been in Chicago 
when Washington was elected mayor, he felt that 
the older men in the barbershop assumed he 
understood their feelings. He wondered if they 
would still have taken his understanding for 
granted had they known his history, had his 
maternal grandfather walked in. Obama says he 
heard in Smitty's voice a fervor beyond politics. 
He and his customers weren't just proud of Harold 
Washington, they were also proud of themselves. 
The election had given them a new idea of 
themselves, holding out the promise of "collective redemption. "

Harold Washington died suddenly, a few months 
after his reelection in 1987. His second 
campaign, Obama notes with interest, was very 
different from his first in that Washington 
"reached out" to old-time machine politicians, to 
the Irish and the Poles, "ready to make peace." 
Businessmen sent him their checks, but some of 
his black supporters disapproved of "his 
willingness to cut whites and Hispanics into the action."

Obama was at City Hall the night Harold 
Washington's coalition fell apart. Not long 
afterward, he received his letter of acceptance 
from Harvard Law School. He was gratified that, 
far from resenting his success, his co-workers, 
with whom he had shared early mornings, thankless 
meetings, and tiresome door-to-door canvassing on 
behalf of modest neighborhood and employment 
initiatives, accepted that he had other options. 
His mobility was a sign of their progress, but at 
least one of his colleagues was certain that Obama would return to Chicago.

Obama asked himself if this simple desire for 
acceptance had been the reason for his coming to 
Chicago. He found an answer in the black church, 
at Trinity United Church of Christ, in the 
Reverend Jeremiah Wright Jr.'s sermon "The Audacity of Hope":

I imagined the stories of ordinary black people 
merging with the stories of David and Goliath, 
Moses and Pharaoh, the Christians in the lion's 
den, Ezekiel's field of dry bones. Those stories 
-- of survival, and freedom, and hope -- became 
our story, my story; the blood that had spilled 
was our blood, the tears our tears; until this 
black church, on this bright day, seemed once 
more a vessel carrying the story of a people into 
future generations and into a larger world.

He would take this newly discovered communal 
spirit to Africa, where he decided that what 
Africa most desperately needed was courage. He 
gives, as if from memory, the oral history of his 
father's family on the banks of Lake Victoria, 
presumably as it was told to him, just as he 
earlier recreates a fair amount of Reverend 
Wright's sermon. Maybe some poetic license went 
into the recounting of so many conversations in 
Chicago's projects and churches, but on the other 
hand, Obama comes across as someone who stored 
away for future consideration practically 
everything that was ever said to him, and who had 
a talent for watchfulness, part of the 
extraordinary armor he developed at an early age.

In Dreams from My Father, Obama makes it clear 
that his father's absence left a hole and that 
the communal experience, working with and for 
others, went some way toward fulfilling him. He 
says that he wanted nothing less than to give 
black people that fervor about their lives that 
he saw them get from Harold Washington. He wanted 
them to get that feeling from him, the same 
feeling he got from them. The Reagan years in 
which he came of age were an era of individual 
advancement and collective decline for black 
people, he observes, and he'd learned "not to put 
too much stock in those who trumpeted black 
self-esteem as a cure for all our ills." Politics are his solution.

Dreams from My Father may have been written when 
Obama was thinking merely of Harold Washington's 
office. 
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Audacity of Hope, however, is the presidential 
candidate's manifesto for the campaign season, 
down to the respectful quotation from 
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in Courage and Obama's observation that Reagan 
spoke to America's longing for order and offered 
the country a common purpose that liberals did 
not. His first book concentrated on his father; 
The Audacity of Hope is for his mother, who died 
before his Senate victory. Though he now judges 
her understanding of the politics of the 1960s to 
have been limited by her romanticism, he is 
careful to honor her memory as someone who didn't 
just declare her principles but acted on them as well.

The Audacity of Hope tells us a little about his 
courtship and marriage, the birth of his two 
daughters, and his deep involvement with their 
church, Trinity United, which he joined when he 
returned to Chicago after Harvard. The Audacity 
of Hope tells us how much Obama minded losing his 
congressional bid in 2000. It also says how aware 
he is of what he calls his "spooky good fortune" 
to have faced Alan Keyes, a black conservative 
ideologue of no charisma, in the Illinois Senate 
campaign of 2004. His deference to Senator Robert 
C. Byrd (while recalling his early membership in 
the Klan) is a mark of how seriously he takes the 
Senate. Its history is real to him, and to judge 
from the savor in his descriptions of its 
workings, Obama seems to have grasped readily how 
power works in the corridors and committee rooms. 
He recalls that as an Illinois state senator he 
would "partner up" with his most conservative 
colleagues to work on a piece of legislation.

Throughout he maintains a note of surprise at 
everything that has happened to him since he 
stepped up to the rostrum at the Democratic 
convention in Boston in 2004. "I was the 
beneficiary of unusually -- and at times 
undeservedly -- positive press coverage." 
However, his readiness to meet destiny fits with 
what he views as a profound social change: the 
psychological shackles of Jim Crow have been 
broken and the new generation of black 
professionals rejects "any limits to what [it] can achieve. "

There is a generational divide in black America 
between those who remember Jim Crow and those who 
do not. Older blacks maybe sometimes react to 
Obama from an acute awareness of what had not 
been possible for them. The last time black 
people were urged to get on the bandwagon for a 
black man, we got Clarence Thomas, Bush Sr.'s 
insult to the memory of Thurgood Marshall. They 
will mention that the racist ad that maybe helped 
to defeat Harold Ford for the Senate in Tennessee 
was recent history. One elderly black newspaper 
vendor pointed to a photograph of the tearful but 
dignified track star Marion Jones, punished for 
lying about having taken steroids, and said that 
this was America and America would remind Obama 
where he was. Recent Urban League studies show 
that for the majority of black people, income and 
housing relative to the total population are not 
much better than they were in 1960 -- an 
unemployment rate among black youth at 17 
percent, a 50 percent dropout rate, and births to 
single mothers at 79 percent.

While Obama acknowledges that the battles of the 
Sixties have not been resolved, he repudiates 
partisanship, the taking up of old ideological 
battles. President Clinton may have fought the 
right wing to a draw, Obama contends, but the 
right emerged yet more powerful and in Bush Jr.'s 
first term it took over the US government:

In the back-and-forth between Clinton and 
Gingrich, and in the elections of 2000 and 2004, 
I sometimes felt as if I were watching the 
psychodrama of the Baby Boom generation -- a tale 
rooted in old grudges and revenge plots hatched 
on a handful of college campuses long ago -- played out on the national stage.

The youth rhetoric of Obama's campaign is 
unsettling to an older generation that once used 
the same sort of rhetoric and are now on the 
receiving end of it. One of its effects has been 
to turn Senator Clinton into the incumbent, 
rather than the woman candidate. After all, her 
campaign is also historic. But then, as one 
recent Skidmore College graduate said, she 
thought of Hillary as a Clinton first and a woman second.

The day before Martin Luther King Jr. Day, when 
the Obama campaign opened a Harlem headquarters 
in a smart storefront at 130th and Lenox Avenue, 
between the Malcolm Food Market and the It's A 
Wrap Hair Salon, a young black volunteer was 
saying that he thought it was very healthy for 
black people to have differences and not to be 
perceived as having a monolithic vote. This was 
before the debate in Charleston and the week that 
backfired on the Clintons, as though they could 
not bear to be sassed, the week that consolidated 
the black vote in South Carolina for Obama. New 
York State Senator Bill Perkins led some thirty 
campaign workers with shiny signs and posters 
from the storefront down Lenox Avenue, to the 
call and response of "Fired Up," "Ready to Go," 
and the chant of "Obama/08/Be a part of something 
great!" Shopkeepers and pedestrians applauded here and there.

The French and German television crews trailing 
the Obama volunteers caught their encounter on 
the corner of 125th Street with a half-dozen 
Clinton volunteers. The two sides brandished 
their blue signs in the cold and traded jibes 
good-naturedly. A man in a Hillary T-shirt yelled 
that so many Republicans were for Obama because 
they were sure they could beat him, but they 
weren't so sure they could beat her. Obama would 
be president one day, but not this year. A woman 
answered that the title of the First Black 
President was like the Miss America crown: the judges could take it back.

In The Audacity of Hope , Obama goes on record, 
again, on a range of issues, from his qualified 
support of abortion to his opposition to the war 
in Iraq. At the same time, he wants to 
demonstrate that just because he is a black 
legislator it doesn't follow that his votes in 
the Senate can be predicted.* He favors looking 
into merit pay for teachers, though the teachers' 
union is against the idea, and he says that he 
has called for higher fuel-efficiency standards 
in cars, though the UAW opposes them. He stresses 
his admiration for Lincoln the pragmatist as well 
as Lincoln the man of convictions: "I reject a 
politics that is based solely on racial identity, 
gender identity, sexual orientation, or 
victimhood generally." In writing about his 
understanding of our political history, it is as 
though the Constitution's system of checks and 
balances reflects his dual heritage, his desire 
to reconcile in his person and in his policies the polarized nation.

While Obama holds that goals for minority hiring 
may sometimes be the most meaningful remedy 
available when there is strong evidence of 
discrimination in a corporation, trade union, or 
government office, he also lends his voice to the 
argument that black people must take collective 
and individual responsibility for their welfare, 
an echo of the criticisms made by black 
conservatives, such as Shelby Steele in 
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Content of Our Character (1990), in the bitter 
days of the culture wars. Obama observes:

A cottage industry grew within conservative think 
tanks, arguing not only that cultural pathologies 
-- rather than racism or structural inequalities 
built into our economy -- were responsible for 
black poverty but also that government programs 
like welfare, coupled with liberal judges who 
coddled criminals, actually made these pathologies worse.

Yet Obama faults liberal policymakers and civil 
rights leaders of the Seventies and Eighties for 
not addressing "entrenched behavioral patterns 
among the black poor" that he believes contribute 
to the poverty that passes from generation to 
generation, and he is certain that on social 
issues most black people are "far more 
conservative than black politics would care to 
admit." However, it is at this point that Obama 
draws back from the black conservative critique. 
While he is not surprised that conservatives won 
over white opinion by emphasizing the distinction 
between the deserving and the undeserving poor, 
he argues that black Americans cannot make such a 
distinction; they cannot separate themselves from 
the poor, and this is not just because "the color 
of our skin" makes all of us only as free as the 
least of us, but also because "blacks know the 
back story to the inner city's dysfunction." He 
means that he cannot separate from the black poor. He is his mother's son.

Dreams from My Father was one of several memoirs 
at the time in which a new generation reported 
back from the front lines of integration. Obama's 
book, along with 
<http://click.email.powells.com/?ju=fe571c757d6d077e7510&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Kinship
 
(1999), another intense memoir about a youth 
coming to terms with his American and African 
heritage, by Philippe Wamba, the son of a 
Congolese rebel, and 
<http://click.email.powells.com/?ju=fe561c757d6d077e7511&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Soul
 
to Soul: A Black Russian American Family, 
1865â??1992 (1992), by Yelena Khanga, offered 
new insights into the complexity of black 
identity. Because they were looking at race from 
an international perspective, they seemed less 
provincial than the black conservatives telling 
their stories about the difficulties they faced 
adjusting to life at elite schools in the 1970s 
and 1980s because of the added pressure they felt 
from other black students to conform to a militant style of being black.

Shelby Steele hopes to liberate Obama from his 
black identity in A Bound Man: Why We Are Excited 
About Obama and Why He Can't Win, a thin and 
unhappy meditation on what he considers Obama's 
costly refusal to repudiate the Sixties and its 
false, politicized definition of blackness. 
Steele asserts that "the post-sixties black 
identity is essentially a totalitarian identity." 
Furthermore, the emphasis black educators place 
on black identity has been "one of the most 
debilitating forces in black life since the 60s. "

Black identity for Steele is a parasitic force, a 
sort of Invasion of the Body Snatchers contagion. 
"This identity wants to take over a greater 
proportion of the self than other racial 
identities do." "It" wants its collective truth; 
"its" idea of protest must become personal truth; 
"it" wants to make loyalty to this truth a reflex 
within the self; "it" wants you to think as a 
black, not as yourself. Moreover, this is a policed consciousness:

The popular movie 
<http://click.email.powells.com/?ju=fe551c757d6d077e7512&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Barbershop
 
stirred controversy because of a scene in which 
one of the barbers not only criticized Jesse 
Jackson but also said that O.J. Simpson was 
guilty -- two statements that clearly violate the 
challenger's mask and would likely not be said in 
the presence of whites. There was controversy 
precisely because the movie was released for 
everyone to see. Both the movie and its release were breaches of discipline.

For Steele, Obama's upbringing created in him an 
"identity vacuum," but the transparent black 
identity he constructed for himself comes at the 
price of excluding from that black identity 
essential parts of himself -- "family values, 
beliefs, ambitions, loves." He cannot be himself, 
he cannot bring his own experience into his black 
identity. Steele refers to a scene in Dreams from 
My Father in which Obama relates the bad breakup 
with his long-term white girlfriend in New York, 
saying that he realized that they would always 
live in different worlds and that he was the one 
who knew how to live as an outsider. 
Assimilation, not blackness, is the key to 
success, Steele counters, and he insists that 
Obama knows this, because he grew up in mainstream culture, not black culture.

Obama's white grandparents informed his identity 
as a black man, but maybe not as the antidote to 
blackness Steele imagines. They fled Kansas and 
ended up in Hawaii, disappointed but decent 
people. Maybe the myth of his father was a 
comfort in the way that the sound of his 
grandfather, trying to sell insurance from home, 
making humiliating phone calls Sunday nights, was 
not. Obama's white girlfriend was rich, and class 
as much as race may have been the thing about her 
life that made him feel like such an outsider. 
What perhaps informs Obama's desire to be 
inclusive as a black candidate is his feeling for 
the insecure white America that doesn't recognize 
itself in the images of middle-class well-being.

In A Bound Man, Steele attempts to apply to the 
election his notions about the uses of "black 
victimization" and "white guilt" that he worked 
out in The Content of Our Character . "You must 
never ever concede that only black responsibility 
can truly lift blacks into parity with whites," 
because to do so would be to give up control over 
white guilt. In politics, blacks wear either the 
mask of the challenger or that of the bargainer. 
The purpose of these masks is to enable blacks to 
gain things from the white majority by 
"manipulating their need for racial innocence." 
Because whites are "stigmatized with past 
racism," blacks have a monopoly over racial 
innocence and believe, as only the oppressed can, 
that this is their greatest power in America.

Steele argues that after Obama, a bargainer of 
formidable power, became president of Harvard Law 
Review, he was no longer at risk of being seen as 
a creation of affirmative action. Yet he made his 
"Faustian" contract with affirmative action. Even 
the activist black church Obama joined in Chicago 
is proof to Steele of Obama's "hunger" to be 
defined as black in that old-fashioned way, which 
means that he cannot reject "the political 
liberalism inherent in his racial identity." If 
Obama stopped talking about government programs 
for blacks and emphasized individual 
responsibility, then he would hurt himself politically.

Steele accuses Obama of presenting himself as a 
protester to blacks and a unifier to whites. But 
when he holds that Obama cannot serve the 
aspirations of one race without betraying those 
of the other, it is Steele, calling black people 
blackmailers, who seems out of date and most 
threatened by Obama's candidacy. It is impossible 
to read Taylor Branch's three-volume biography of 
Dr. King and not believe that he and the 
thousands of black people who joined him were 
responsible for one of the proudest episodes in 
modern American history. Obama and his audience 
know it, when his voice starts to take on somewhat King-like cadences.

In 1940, B.A. Jones taught his history class at 
the Atlanta University Laboratory High School a 
rhyme originally from the 1870s and that he said 
came to allude to the rumor widespread in black 
America that Warren G. Harding was the first 
black president, because he had black grandparents back in Ohio:

Ma Ma Where's Pa?
Gone to the White House
Ha ha ha

When Julian Bond was nominated for the 
vice-presidency at the Democratic Convention in 
1968, he drew warm applause when he said he had 
to decline, because the Constitution said he was 
still too young. Shirley Chisholm ran for 
president in 1972 as a kind of one-woman show, 
calling politics "a beautiful fraud" in her 
autobiography, 
<http://click.email.powells.com/?ju=fe541c757d6d077e7513&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Unbought
 
and Unbossed (1970). Black glossies used to 
fantasize about the presidential chances of 
Edward Brooke, Republican senator from Massachusetts.

Jesse Jackson was attacked from the black left 
after 1984 for having conducted a campaign 
largely of ritual and symbol. The Internet is 
Obama country, but radio is where you will hear 
black people of a certain age -- the ones who 
aren't in the mood to be less partisan, because 
to do so would be, they feel, to excuse the right 
wing for its disastrous policies. They point out 
that of the leading candidates, Senator Edwards, 
the white guy who sounds so white, is the 
populist; that Edwards had rocked Riverside 
Church on Martin Luther King Jr. Day the previous 
year; that one of Clinton's foreign policy 
advisers is Madeleine Albright, while one of 
Obama's is Zbigniew Brzezinski; that in their 
announced policies, all three say similar things, 
and so it is a contest of symbols. Yet uncounted 
numbers in the middle class who have had to 
understand that America is much less like it used 
to be and much more like the rest of the world 
now fervently want a black man to be the face of 
the United States to the world.

It could be said that Obama's way has been 
prepared not by Colin Powell, dutifully holding 
up the vial at the UN, but by Nelson Mandela, who 
emerged from his prison not bitter, calling for 
reconciliation. It is possible that the emerging 
youth vote is an antiâ??"War on Terror" vote, 
not just an antiâ??Iraq war vote. Mandela was 
also the one figure on the world stage who 
persuaded us that he was exactly what he seemed 
to be. The anti-apartheid movement was one of the 
few things happening on campuses in the 1980s. 
Since then white students in their thousands have 
taken Black Studies classes, reading 
<http://click.email.powells.com/?ju=fe531c757d6d077e751c&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Narrative
 
of the Life of Frederick Douglass, bringing 
Derrida to bear in their term papers on the 
hip-hop artist Nas's debut album, Illmatic, even 
as black student enrollment nationwide has been 
falling. Shelby Steele ridicules institutions 
obsessed with diversity, but they, like Obama, 
are right to be inspired by the civil rights 
movement. The youth vote that gave him such a 
margin of victory in South Carolina, and kept his 
campaign going on Super Tuesday, missed the Sixties. Here is their chance.

Darryl Pinckney is the author of a novel, 
<http://click.email.powells.com/?ju=fe521c757d6d077e751d&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>High
 
Cotton, and 
<http://click.email.powells.com/?ju=fe5a1c757d6d077e7414&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Out
 
There: Mavericks of Black Literature.
[]
  
<http://click.email.powells.com/?ju=fe591c757d6d077e7415&ls=fe221c7870620775771673&m=fef110787c6306&l=fec3137271670774&s=fe2815747462007a761d74&jb=ffcf14&t=>Read
 
more about this book
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