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NEW IN PAPERBACK:

A SHORT HISTORY OF CAHIERS DU CINEMA

By EMILIE BICKERTON


OUT NOW



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“The French New Wave directors all came from Cahiers du Cinema, a magazine that 
turned film criticism upside down in the 1950s. The salvoes of its sagacity are 
finely charted by Bickerton, who also laments the recent slide into dumbed-down 
mediocrity.” Nigel Andrews, Financial Times Books of the Year
http://www.ft.com/cms/s/0/2fb47d30-dae5-11de-933d-00144feabdc0.html#axzz23XWS5J5I<http://www.ft.com/cms/s/0/2fb47d30-dae5-11de-933d-00144feabdc0.html%23axzz23XWS5J5I>

“What I love is Bickerton’s certainty and courage. She’s stepping here into the 
viperous pit of French intellectual life like a mongoose with a mission.” Nick 
James, Sight & Sound


“Bickerton has done a valuable and highly informative job in locating the 
historical roots of Cahiers in the cinematic cultural debate that French 
intellectuals engaged in from the first world war onwards, and an equally 
useful one in relating the magazine’s decline to the distressing politics of 
post-1968 France.” Philip French, Observer
http://www.guardian.co.uk/books/2010/mar/14/cahiers-du-cinema-emilie-bickerton


“The author masterfully unveils the power and the joy that rose up from the 
pages during the formative years of Cahiers.” David Cotner, LA Times
http://articles.latimes.com/2010/feb/04/entertainment/la-et-book4-2010feb04

-----------------------------

'Cahiers Du Cinema' was the single most influential project in the history of 
film. Founded in 1951, it was responsible for establishing film as the 'seventh 
art,' equal to literature, painting or music, and it revolutionized film-making 
and writing. Its contributors would put their words into action: the likes of 
Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors 
of the age, their films part of the internationally celebrated ‘nouvelle vague’.

In this authoritative new history, Emilie Bickerton explores the evolution and 
impact of 'Cahiers Du Cinema', from its early years, to its late-sixties 
radicalization, its internationalization, and its response to the television 
age of the seventies and eighties. Showing how the story of ‘Cahiers’ continues 
to resonate with critics, practitioners and the film-going public, A SHORT 
HISTORY OF CAHIERS DU CINEMA is a testimony to the extraordinary legacy and 
archive these 'collected pages of a notebook' have provided for the world of 
cinema.

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EMILIE BICKERTON is on the editorial board of New Left Review. She is a 
journalist for Agence France-Presse in Paris, and writes regularly on film, 
literature and anthropology for publications including the London Review of 
Books, Times Literary Supplement and The Guardian.


---------------------------------


ISBN: 978 1 84467 760 3 / $17.95 / £9.99 / 176 pages

---------------------------

For more information visit:
http://www.versobooks.com/books/ab/b-titles/bickerton_emilie_cahiers_du_cinema.shtml

To buy the book in the UK:
http://www.bookdepository.co.uk/book/9781844672325/A-Short-History-of-Cahiers-Du-Cinema

or
http://www.amazon.co.uk/Short-History-Cahiers-Cinéma/dp/1844672328/ref=sr_1_1?ie=UTF8&s=books&qid=1268418032&sr=8-1<http://www.amazon.co.uk/Short-History-Cahiers-Cin%C3%A9ma/dp/1844672328/ref=sr_1_1?ie=UTF8&s=books&qid=1268418032&sr=8-1>


To buy the book in the US:
http://www.amazon.com/Short-History-Cahiers-Cinéma/dp/1844672328/ref=sr_1_1?ie=UTF8&s=books&qid=1268418057&sr=8-1<http://www.amazon.com/Short-History-Cahiers-Cin%C3%A9ma/dp/1844672328/ref=sr_1_1?ie=UTF8&s=books&qid=1268418057&sr=8-1>

-------------------------------

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