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Too little, too late:

“Much Of Syria Slips Out Of The Control Of President Bashar Al-Assad”
“You Know How On The Titanic, As It Is Sinking, You Have The Band Playing The 
Last Few Songs?  It Is Sort Of Like That.”
“It Is Almost Manic In The Sense Of They’re Going Over The Top To Pretend That 
Everything Is Fine”

Aug. 26, 2015 By Raja Abdulrahim, Wall Street Journal [Excerpts]

On the day in May when Islamic State militants raised their black flag above 
the ancient city of Palmyra, the Damascus Opera House featured a singer in a 
rumpled black suit belting out traditional Arabic ballads.

Members of the audience were herded together so the half-empty auditorium 
appeared full on state television, and the crowd whistled, clapped and danced 
in the aisles for the benefit of the cameras. 

This week, as the extremist militants blew up a 2,000-year-old temple in 
Palmyra, the opera house in the capital 150 miles to the west prepared to open 
an art exhibit.

“It is great that we still have these activities despite the war,” a man in his 
50s was overheard telling his wife during the performance in May. “Syria is 
always strong.”

As much of Syria slips out of the control of President Bashar al-Assad, his 
ability to persuade his people that the country will remain normal as long as 
he is in power has become indispensable to his regime’s survival.

The government now only controls one-sixth of Syria’s territory, the IHS 
Conflict Monitor said in a report issued last week, and maintaining a semblance 
of ordinary life in that area has become more necessary than ever.

In Damascus, Tuesday is now ladies night at Z-Bar, featuring DJ Tareq.

The government continues to host events such as a conference in May to mark 
World Migratory Bird Day, even though half the country’s human population, or 
some 11.5 million people, have been forced from their homes.

Weekend pool parties, a summer ritual, go on as usual despite a water crisis 
plaguing much of the country.

“We’re hearing of these over-the-top parties. It is almost manic in the sense 
of they’re going over the top to pretend that everything is fine,” said Amr 
al-Azm, a professor of Middle East history and anthropology at Shawnee State 
University in Portsmouth, Ohio.

“You know how on the Titanic, as it is sinking, you have the band playing the 
last few songs?  It is sort of like that.”

On Mr. Assad’s Instagram account, the Syrian leader is pictured meeting with 
soldiers and clerics while his wife Asma greets top students, mothers and 
members of the country’s Special Olympics team.

Although few foreign tourists now dare visit Syria, state media gave daily 
coverage to a weeklong visit in April by a delegation of French tourists.

Photos of crowded clubs and art exhibits in regime-controlled areas posted on 
social media contrast with images from the rest of Syria: limp bodies being 
pulled from rubble, barefoot children in tent cities and corpses of Islamic 
State victims hung from crosses.

“Showing Damascus as still living a normal life was one of its goals from the 
beginning,” a resident of the capital said of the regime. It is “focused on 
activities and parties and other things that are far from our reality.”

Hotel rooms and chalets in the coastal cities of Latakia and Tartous had to be 
booked a month in advance this summer, as vacationers from Damascus and Homs 
flooded to the Mediterranean coast beaches to swim and sunbathe as in years 
past.

In the city of Aleppo, some residents still take to the sidewalks at night to 
picnic and barbecue, a city tradition that survives despite the perils of 
rocket and artillery fire from rebel groups.

After an attack in June that state media said killed 23 and wounded dozens of 
people, Aleppo’s governor said life was normal in the city’s markets.

“The government has to maintain this facade of everything is OK. Otherwise, 
these people don’t feel safe,” Mr. Azm said. “Already the credibility of the 
regime has been questioned repeatedly every time the regime loses an important 
battle.”

Nowhere is the regime’s portrait of life in Syria more skewed than on social 
media, especially the Twitter feed for SANA, Syria’s state news agency.

Between tweets about government forces killing terrorists—the catchall term for 
all government opponents—are posts about disco and salsa parties.

But a Twitter campaign by SANA in June that urged followers to “snap us your 
moments of summer in #Syria using the hashtag #SummerInSyria” was used by 
opposition groups and activists to tweet photos showing child victims of 
government airstrikes, burning buildings and destroyed markets.

Yet the Assad government remains unflagging in its determination to convey a 
sense of business as usual, despite a death toll that now exceeds 240,000 and 
the apparent resolve of pro-regime forces to fulfill the pledge they have left 
scrawled on the walls of opposition-controlled towns and neighborhoods—“Assad, 
or we burn the country.”

In May, the government hosted a “Reconstruct Syria” conference that promoted 
green and other forms of renewable energy, even though outside the convention 
center much of Syrian territory was in darkness because of damage to the power 
grid.

And while generators work to ensure the lights stay on all the time at the 
opera house, performers such as the rumple-suited balladeer don’t measure up to 
the legendary Lebanese singer Fairuz and productions of “Carmen” that once were 
staged there.

Nevertheless, theater officials have introduced a new dress code. Jeans and 
T-shirts are out, and men are now required to wear neckties. 

A selection of ties is available for those who arrive at the opera house 
without one.





-----Original Message-----
>From: Louis Proyect via Marxism <marxism@lists.csbs.utah.edu>
>Sent: Aug 29, 2015 7:57 PM
>To: Thomas F Barton <thomasfbar...@earthlink.net>
>Subject: [Marxism] Fwd: Russia ramps up Syria military involvement:    
>pro-Assad paper
>>
>
>https://now.mmedia.me/lb/en/NewsReports/565807-russia-ramps-up-syria-military-involvement-pro-assad-paper
>_________________________________________________________
>

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