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I reviewed Elijah's book on the 60s folk revival years ago and ended up on his mailing list. He is very cool. (That's a term from the 60s.)

Dear Friends and Fellow Workers,

Quick headlines:

*Sandrine and I have moved to Philadelphia and are very pleased to be here -- more on this below. *Heads up about American Epic, the music doc currently airing on PBS, for which I did the book. *Reminder about my Songobiography, now up to 226 posts of performance videos, history, and memoir. *Exploring gig and travel opportunities, as musician, speaker, or in any other capacity.

Starting with the time-sensitive: American Epic is currently airing on PBS around the US. A decade-long labor of love by the Scots-English producer/director team of Allison McGourty and Bernard MacMahon, it is a deep and quirky exploration of early commercial rural recordings -- Bernard picked some favorite records and they set off across the United States in search of the places and families of the original artists. Some are familiar (The Carter Family, the Memphis Jug Band, Mississippi John Hurt), some perhaps less so (Lydia Mendoza, Dick Justice, Cleoma and Amede Breaux) and some are dauntingly obscure (Elder Burch, the Hopi Indian Chanters, Joseph Kekuku).

I did the accompanying book, using their masses of interviews and archival sources (lots of first-person recollections, including unpublished material from Sara and Maybelle Carter), alongside beautiful photos and ephemera, much of it new even to hardcore scholars. The series likewise mixes contemporary interviews and landscapes with archival material -- the idea was to reach a broad audience while also coming up with stuff that would be exciting for longtime enthusiasts, and I strongly encourage everyone to check it out. There's also a broad-ranging 5-CD box set and a half dozen other CDs, remastered with exceptionally great sound. All in all, quite a project -- along with the book, I did some script doctoring and liner note tweaking, but all credit to Bernard and Allison for their years of work, research, and deep love for the music. And that doesn't even mention episode four, with everyone from Jerron Paxton to Elton John, Ana Gabriel to Alabama Shakes, Nas to Merle Haggard, cutting direct to disc on a weight-driven lathe and a 1920s Western Electric recording rig. (For info on the whole project, visit www.americanepic.com)

Meanwhile, big life changes: After a sojourn in the Boston area seeing my mother through her final years and getting some academic credentials, Sandrine and I have moved to Philadelphia. We've got an old row house with a subway stop and a 24-hour diner on the corner in a spectacularly varied neighborhood on the borderline between old Italian and African American South Philly, with an overlay of Mexican, Vietnamese, Indonesian, young hipster... we're just beginning to explore and get a sense of the place. If you're local, please get in touch.

Why Philly? The simple answer is we visited and fell in love with the city, the people, the house, the food, the art (murals, mosaics, music, the Barnes), and the fact that it's a lot closer to a lot of other places than Boston is. We were ready for a change, ready to get out more, and this feels like a great base.

Which brings me to the travel: one of the ideas behind the Songobiography (http://www.elijahwald.com/songblog/) was to reinvigorate my career as a performing musician, both on my own and in a duo with Sandrine on clarinet (no videos yet, but they're coming, and I'm loving the give-and-take of that partnership). Once we're settled, we'd like to be doing more traveling, both in the US and abroad (we both have EU passports), whether as musicians, doing speaking dates, teaching, researching, or just seeing some new places. So if you want to book us or me for a date or a tour, or happen to have a place in a beautiful or interesting location where we should visit, please get in touch.

In other news, Narcocorrido is finally getting a Mexican publisher and will be appearing there later this year, I'm working on getting the dissertation on Southwestern bilingualism and musical mixing published, researching a project on immigration and open borders, playing lots of music, walking the streets of Philadelphia, planning to be in New York more often, hoping to get to Detroit in the relatively near future, also Germany and France, also Mexico, maybe Cape Verde... but first have to build some shelves and get the books out of the boxes.

All the best, and please let me know what you're up to,
Elijah
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