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It's not, but using theory to inform interpretation to understand film and
study of film is. It needed not be filled with academic jargon, but it does
need to be in dialogue with those perspectives that lead us away from
Marxist theories - or others- that help us better understand about the
connection between politics and ideology as proposed by Gramsci (in my
case), or for someone like Ron Betting, how the political economy of Big
Media functions from a Marxist perspective. You know, basic stuff.
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