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Sent: Saturday, May 13, 2000 8:37 PM
Subject: [STOPNATO] Late Yugoslav ruler Tito enjoys comeback


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By Zoran Radosavljevic

ZAGREB, Croatia (Reuters) - Twenty years after his death, Yugoslavia's 
Communist ruler Marshal Josip Broz Tito is enjoying a public comeback.

The flamboyant, often controversial leader who ruled the multi-ethnic 
federation from the end of World War II until 1980 is the subject of a new 
film called ''The Marshal.''

Young director Vinko Bresan's surreal film poses the question: What would 
happen if Tito came back from the dead to his native Croatia, where a few of 
his die-hard followers, aging Communists and anti-fascists, now live?

The film is making many in Croatia, now an independent nation, look again at 
the historic role of the wartime partisan leader turned world statesman. 
Croatia marked Tito's death this year for the first time since gaining 
independence in 1991.

Several thousand people gathered on May 4 in Kumrovec, his birthplace in 
northern Croatia, where sirens wailed at 3:05 p.m., the exact time of his 
death. The mourners, mostly elderly, laid flowers and sang patriotic songs. 
Many filed through the wooden cottage where Tito was born.

A pub called ''The Old Man'' recently opened in Kumrovec and local leaders 
have restored the entire village in the hope of reviving once-thriving 
tourism.

Tito's Yugoslav federation outlived him by 10 years before it crumbled amid 
rising nationalism in its six constituent republics and the end of communism.

TITO MOVIES CROSS HOSTILE BORDERS

''The Marshal'' had its premiere in Belgrade, capital of the rump Yugoslavia, 
on April 15 and Bresan received a long ovation from the audience. It is now 
being shown throughout Yugoslavia and is being promoted with the slogan: 
''The movie we have waited for 20 years.''

''One cannot avoid Tito. He is the only common ground we have left now,'' 
Bresan told Reuters of the people of former Yugoslavia, explaining why the 
film was being received with enthusiasm in Serbia.

Earlier, a Serbian film called ''Tito and I,'' a parody of the Tito years as 
seen through the eyes of a young boy, showed in Zagreb and for days drew 
roars of laughter from the packed house of a small art house cinema.

''This is a natural reaction of people who have realized after 10 years that 
they lived better before,'' sociologist Slaven Letica said of the blooming 
Tito trade. ''There is also a kind of nostalgia as people come to terms with 
their history.''

This cultural exchange would not have taken place when Croatia was ruled by 
the nationalist Franjo Tudjman, who held power from independence to his death 
last December. Tudjman's HDZ party lost a general election in January to a 
reformist coalition led by former Communists.

TITO'S MIXED LEGACY

Tito remains a controversial figure in the successor states to the former 
Yugoslav federation. For some he was a great statesman, for others a tyrant 
who tried to eradicate Croatian national sentiment. Some Serbs feel the same.

Many still blame him for allowing the slaughter of thousands of Croatian 
troops who had collaborated with the Nazis after they surrendered to the 
allies in 1945.

Some 45.8 per cent of those interviewed in one recent survey said they 
considered Tito a dictator, while 55.6 per cent said the same of Tudjman. In 
another poll, 60 per cent said Tito's remains should be brought home from a 
tomb in Belgrade.

The son of peasants, Tito led the Yugoslav Communist party in the 1930s and 
organized resistance to Nazi Germany, Italian fascists and their local 
collaborators in World War II. He ruled post-war Yugoslavia with an iron fist 
but manoeuvred it away from eastern European Stalinism and preserved the 
country's multiethnic society.

Although ruthless with political opponents, Tito was enormously popular with 
his people, projecting an image of a bon viveur who enjoyed king-size cigars, 
malt whisky and the company of Hollywood celebrities.

During his lifetime, mass rallies were held each year to mark his birthday. 
Thousands of children dressed in white and blue with red scarves were bussed 
into Kumrovec to be sworn in as ''Tito's Pioneers'' each May and mile-long 
cordons of ''workers and peasants'' threw flowers at his Mercedes wherever he 
went.

The republic that rose from the ashes of the old Yugoslavia quickly 
dismantled the symbols of communism and undertook to privatize state assets, 
a process some say produced dubious results in Croatia.

''The Marshal'' alludes to this when the main character, a policeman sent to 
investigate reports of the appearance of Tito's ghost on a remote Adriatic 
island, talks to a local tycoon in front of a decrepit Museum of the 
Anti-Fascist Struggle and the Socialist Revolution.

''We had no funds to maintain the museum so we had to privatize it,'' the 
tycoon says.

''And who bought it?'' he is asked.

''Ah, well, I did, for two kuna (30 cents),'' he replies.


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