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From: H-Net Staff via H-REVIEW <[email protected]>
Date: Tue, Jun 1, 2021 at 12:00 PM
Subject: H-Net Review [H-Italy]: Tromboni on Lee, 'Humanism and Empire: The
Imperial Ideal in Fourteenth-Century Italy'
To: <[email protected]>
Cc: H-Net Staff <[email protected]>


Alexander Lee.  Humanism and Empire: The Imperial Ideal in
Fourteenth-Century Italy.  Oxford  Oxford University Press, 2018.
464 pp.  $105.00 (cloth), ISBN 978-0-19-967515-9.

Reviewed by Lorenza Tromboni (Syracuse University)
Published on H-Italy (June, 2021)
Commissioned by Peter Sposato

Alexander Lee's book is an analysis of the imperial ideal in
fourteenth-century Italian humanism: the aim of this book is to
explain, describe, and display how the imperial institution was
conceived during this era, as well as to outline the figure of the
emperor within the intellectual context of the _regnum Italicum _in
its manifold facets. The preface, "A Note on Humanism," provides the
reader with the necessary historiographical coordinates and tools to
explore Lee's reconstruction of Italian humanism by means of a
remarkable variety of sources. As written at the very beginning of
this part, "A discussion of humanistic political thought must begin
with a definition of humanism itself," an extremely fluid and
controversial concept, for which it is difficult to find a unique
definition, as experienced scholars in this field know well (p.
xiii). After a survey on the perspectives given by major historians
of humanism, such as Remigio Sabbadini, Berthold Ullman, Roberto
Weiss, Paul O. Kristeller, and Ronald Witt, the author clarifies that
his actual interpretation of humanism is close to the one offered by
Witt: humanism is an essentially literary--not
philosophical--phenomenon born in Padua, raised in parallel in
Verona, then developed in central Italy, between Rome and Florence.
Florence is the city of Dante Alighieri, one of the loudest and most
influential voices of the imperial side, who convinced that Henry
VII's authority could restore a durable peace in Italy; Coluccio
Salutati represents Florence as well and the political position of
the city during the War of the Height Saints, in the name of liberty.
In fact, we can say that liberty and peace are two pillars of the
fourteenth-century political discussion, together with their
counterparts, conflict, civil war, and tyranny. There is no doubt
that this study has been conceived for researchers and scholars with
a noteworthy experience with humanistic sources: and I am not only
referring to the best-known authors, such as Francesco Petrarca,
Albertino Mussato, and Salutati, since Lee gives ample space also to
less-studied sources, such as the works of Convenevole da Prato,
Ferreto Ferreti, Riccobaldo da Ferrara, and Giovanni da Cermenate.
The reader's familiarity with these sources and their respective
historical contexts is necessary to keep track of the sheer amount of
information, thoughts, and interpretative frameworks given by Lee in
each page of this book.

However, considering _Humanism and Empire _from a different point of
view, this study constitutes a valuable resource also for less
knowledgeable readers: a researcher with less familiarity and
experience with the aforementioned sources shall find in these pages
names, concepts, and places that will push them to further
investigations and studies within a refined conceptual scheme
concerning humanistic political thought. As a historiographic
category, humanistic political thought in itself deserves more
attention than it has received in the past: caught between the
medieval philosophical debates and major Renaissance
figures--Niccolò Machiavelli and Francesco Guicciardini, for
example--it has been often lightly dismissed, while new studies and
new analyses could exploit the results of the numerous publications
of the last decades around the subject. Lee definitely follows this
path, sewing together two sides of humanism studies, often perceived
as separate, especially among European continental scholars:
literature and the political awareness that emerges from chronicles,
poems, orations, and letters.

There is a recurring set of issues that humanists keep browsing
concerning peace and liberty: How can we achieve peace for our
communities? How can Italy maintain a peaceful status quo and
reaffirm its liberty at the same time? What is the best form of
government to foster peace and prosperity? And how can we defend our
liberty from our enemies? The imperial ideal provides a possible
answer to this array of questions, but it is never intended as a
definitive solution: during the trecento the empire lingers on in the
background of Italian politics, coming forward and going back,
according to the delicate political balance of the peninsula. As
clearly stated in these pages, we are dealing here with a concept of
empire forged in the classical sources and principles: Rome--with its
symbolic and historical value--represents a point of reference and an
impossible model to strive for. Rome is also a mirage for many
humanist authors: the possibility of finding a solution to present
issues in the sources of the past is an intellectual temptation to
which it is far easier to surrender. The empire as universal power,
and the emperor as the personification of this power--first Henry
VII, then Louis the Bavarian, later Charles IV--could embody the
political solution that humanists were looking for. However, the
solution envisaged by the supporters of the imperial authority
contains a high level of utopian thinking, and it becomes evident
every time the emperors try to solve the continuous series of
conflicts that characterize almost every Italian area during this
time span. And the political turmoil of the cities set the standard:
in this perspective we can easily understand the high level of
political engagement of chroniclers and their often tragic attempt to
explain how the golden age of peace and harmony did become such a
troubled present of conflict and civil war.

While the first part of the book, "The Defence of the Empire,"
describes how humanists conceived of imperial authority, the second
part, "The Dynamics of the Empire," presents a more thematic
approach: here Lee discusses such topics as the actual boundaries of
the Holy Roman Empire, the relationship between empire and papacy,
and the institutional identity of the imperial power. The chapter
"Imperium and sacerdotium" of this second part challenges more than
others the traditional point of view on this subject, which has been
commonly considered as a sacred land of philosophical thought. The
authors who are usually mentioned and analyzed for this topic, such
as John of Paris, Gils of Rome, Jacob of Viterbo, and William of
Ockham, lie in the background of the discussion or are absent--with
the sole exception of Marsilus of Padua--while such authors as
Rolandino of Padua, Ferrara, and Mussato represent the core of the
discussion. While this approach may raise some perplexity in scholars
who have a more philosophical background, we should keep in mind the
methodological premises of this study that conceives of humanism as
an eminently literary phenomenon. It is true, however, that the
political lexicon of humanism originated also from the Latin
translation, the commentaries and the _quaestiones disputate _on the
works of Aristotle, namely, _Nicomachean Ethics _and _Politics_,
which since the thirteenth century animated the academic debates
among the major university centers of medieval Europe: Oxford and
Paris in the first place. This phase constituted a key moment of the
merging process between Christian and non-Christian culture, a
process culminating in humanism.

Citation: Lorenza Tromboni. Review of Lee, Alexander, _Humanism and
Empire: The Imperial Ideal in Fourteenth-Century Italy_. H-Italy,
H-Net Reviews. June, 2021.
URL: https://www.h-net.org/reviews/showrev.php?id=53311

This work is licensed under a Creative Commons
Attribution-Noncommercial-No Derivative Works 3.0 United States
License.




-- 
Best regards,

Andrew Stewart


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