Steve Corey wrote:
>
> I was a die-hard uncompressed PCM DAT fan for years. When MD's first
> came out, they sounded terrible, so I wrote off the format. Then a
> person, whose ears I trusted, said that I should really check out the
> new MD's. I was impressed, and now am the proud owner of a Sony
> MZR-90. I absolutely love it. Even though it has its share of annoying
> (endearing?) quirks.
Just be careful of the END SEARCH button. Use it even when you don't
need to, 'cause it will erase your Md faster than you can say bread and
butter.
> If you're looking for fidelity (faithfulness) I havn't come across a
> situation where MD has not been adequate. I'm new to MD, however, so
> perhaps I'll stumble across something that will trip it up. 'Till then
> I'll happily continue "taping" with my MD.
There was one incident with a certain French horn solo on a Sharp 702
that was reproducible. However, it disappeared when another instrument
was added to the mix, or a different sequence of notes was played. Most
people would have missed the artifact if it hadn't been brought to their
attention.
--
Jim Coon
Not just another pretty mandolin picker.
mailto:[EMAIL PROTECTED]
If Gibson made cars, would they sound so sweet?
My first web page
http://www.tir.com/~liteways
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