I've got a JB940 at home and I have yet to use the LP functionality.  

I've always read that MP3 doesn't sound as good as the original, I'm no
audiophile but I like to know the music I listen to is the best reproduction
I can get on my system, so I'm not into MP3 for that reason.  After years of
riding sport motorcycles my ears probably couldn't tell if the timbre of the
third cymbals was not shimmering like it should....so I'm a sucker for
marketing
  I am into free music but that's a different issue  ;-)
So I read that LP2 is better than MP3 so that's good but it isn't as good as
the original.  
Are we the first generation of people who lower their standards of
listening?  If you read the media, MP3s will take over the world and LP2
follows on from this.  So do we have a conspiracy theory brewing here?  Will
uncompressed audio become the expensive audiophile source and compressed be
for the rest of us?  I dunno, food for thought maybe? Maybe I'm being a
wanker who should be working instead.  
Take care all 

Kev 

-----Original Message-----
From:   [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent:   Thursday, 19 April 2001 12:25
Cc:     [EMAIL PROTECTED]
Subject:        MD: OE, MDLP (was selector box question)


Matt asked,

| all right this also has probably been discussed, but for those of us who
use
| outhouse express (aka outlook express) what do we need to put our settings
| at so this group can actually see what we are posting?

What Gaz said, plus be sure to uncheck the silly "always reply to messages
in the format in which they were sent" box: 99.99999+% of HTML messages
should have been sent in plain text, and the very few that belong in HTML
should be answered in plain text.

| thanks.  on another
| note, is MDLP worth anything if you like md for the quality and dont care
| about taking extra blanks with you?  except maybe for recording lectures.

LP2 sounds surprisingly good; listen for yourself on a floor demo model, or
on another person's machine, and reach your own conclusion.  LP4 is not so
great for music but more than adequate for spoken-word recordings.

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