http://musliminsuffer.blogspot.com/

bismi-lLahi-rRahmani-rRahiem
In the Name of God, the Compassionate, the Merciful


=== News Update ===

The Loose Cannon of 9/11

How a 23-year-old Army grunt-turned-film producer is undermining the 9/11 
Commission Report with $8,000 and a laptop.


It took two governors, four congressmen, three former White House officials 
and two special counsels two years to compile. They reviewed over two and 
half million pages of classified and declassified documents, consulted 
1,200 sources in 10 countries, and spent over $15 million of the taxpayers' 
money in the process. And on July 22, 2004, the 9/11 Commission issued its 
<http://www.gpoaccess.gov/911/index.html>final report on the terror attacks 
on the World Trade Center and the Pentagon. Is it possible that two 
twentysomethings from "a small hippie town that time forgot" could 
undermine that entire effort with $8,000 and a laptop?

Yes, if you ask ex-Army specialist Korey Rowe. The 23-year-old from 
Oneonta, New York returned home from two tours -- one to Afghanistan, the 
other to Iraq -- to help his best friends, Dylan Avery (director) and Jason 
Bermas (researcher), produce the sensational 80-minute, Web-based 
documentary "<http://www.loosechange911.com/>Loose Change," which seeks to 
establish the government's complicity in the terror attacks by addressing 
some very tough questions: Why wasn't Ground Zero treated like a crime 
scene? How did both towers "free-fall" to the ground "in 9.2 seconds" in 
just under two hours? And where are the black boxes from American Airlines 
Flight 11 and United Airlines Flight 175?

While the film is admittedly flawed and draws on some dubious new media 
sources, including Wikipedia, it's inarguably sparked a new interest in the 
"<http://www.911truth.org/>9/11 Truth movement." Since its April 2005 debut 
online, "Loose Change" (the first and second edition) has received over 10 
million viewings, it was just featured in the August issue of Vanity Fair, 
and the final cut of the film is expected to debut at the Sundance Film 
Festival in January.

"I've got four movie studios [including Paramount and Miramax] beating down 
my door to make the final cut," says Rowe, who's now got offices from 
California to London to handle his growing company. Last week 
<http://smithmag.us/>SMITH caught up with Rowe -- who's been labeled 
everything from a traitor to a CIA operative in the past year -- to see how 
he went from protecting the Iraqi-Syrian border against Muslim insurgents 
to a self-described "conspiracy theorist" poised to take Hollywood (and the 
country) by storm.

MICHAEL SLENSKE: Do you work for the CIA?

KOREY ROWE: No, I do not work for the CIA.

SLENSKE: Just wanted to get that out of the way. What made you want to join 
the military?

ROWE: The fact that I was doing nothing. I was 18; I wasn't ready to go to 
college yet. I knew that if I went to college I wouldn't have spent too 
much time in class, I would have spent my time partying. I wouldn't have 
gotten done what I needed to do. It would have been a waste of my parents' 
money. So I decided it would probably be best if I joined the military -- 
this was pre-Sept. 11 -- Bush was in office, there wasn't a whole lot going 
on, I didn't foresee a war happening, I just thought it would be a good way 
to get out of town, man-up a little, and then move on with the rest of my 
life. Before I knew it, I just joined.

SLENSKE: Did you want to go to war?

ROWE: At first I did. I wanted to retaliate for Sept. 11. The government 
told me it was Osama bin Laden, the government told me he was hiding in 
caves in Afghanistan, they told me he had killed a bunch of innocent 
Americans, so at first I wanted to go over there and defend just like 
everyone else. It was the hooah thing to do at the time.

SLENSKE: What were you doing in Afghanistan?

ROWE: My primary MOS (military occupational specialty) was 11 Bravo, which 
is infantry, frontline infantry. I was carrying a gun, humping a lot of 
weight on my back. That was what I did in Afghanistan full time. I was at 
the Kandahar airfield, Bagram, and Khost. But in Afghanistan I really 
didn't do much. I was there for six months, pulled a lot of guard; I went 
on, I think, three missions. Never got any enemy contact, never got fired 
on. I watched it on my perimeter, a couple hundred meters out while someone 
else was getting shot at, but I never really got any action.

SLENSKE: And in Iraq?

ROWE: In Iraq I rode in the back of a truck from the southern tip, through 
the desert into Al-Hillah, took the battle of Al-Hillah, which was pretty 
crazy. It looked like a Vietnam movie. Then we moved further north into 
Baghdad, where we were in Medical City. I was stationed in an emergency 
room door for about a month and a half just watching these bodies of 
children and their families come in. Then I moved north into Mosul, swung 
west into Sinjar, on the Syrian-Turkey border where we had to watch for 
insurgents coming across the border.

SLENSKE: How did that experience change you?

ROWE: I went from being some kid who had no idea about anything in the 
military--I didn't even know what the infantry was when I joined, I just 
told them I wanted to shoot stuff and blow stuff up -- to being a 
communications specialist for my commander. That was really when I started 
to see the bigger picture -- when I started working for higher commanders 
-- seeing how things ran.

SLENSKE: When was the first time you heard from Dylan Avery about what he 
was doing with "Loose Change" back in New York?

ROWE: After I got back from Afghanistan, he started to talk about the idea 
that 9/11 was an inside job, and started letting me know about some of the 
information he had come across. It was between returning from Afghanistan 
and redeploying for Iraq that my mind started to click on. I was like, 
"Wait a minute -- I was in Afghanistan three months ago, and now I'm going 
to be in Iraq in four months. I've got to invade another country; where is 
this going?"

Then -- and I hate to say this -- I saw "Fahrenheit 911," which to me is a 
terrible movie. But a lot of it made sense in the pretext and military 
build-up to Afghanistan before we were actually attacked. When I walked out 
of that movie I was like, "Wow, that messed with my head." Right before I 
deployed for Iraq, I had the inclination that something was seriously 
wrong. But then it didn't matter because at that point I had to go. My unit 
needed me. I was the company RTO (radio telephone operator); I was running 
communications. It didn't matter what my personal beliefs were. I just had 
to go over and shut my mouth for another year.

SLENSKE: So why this film?

ROWE: "Loose Change" happened by accident. The whole thing started out as a 
fictional screenplay about me and Dylan and another friend of ours finding 
out 9/11 was an inside job. It started out as a comedic action film with us 
being chased by the FBI and all that. But when Dylan started researching 
the screenplay, he found out the attacks really were an inside job, so we 
made it into a documentary. I see myself as a person who's a buffer between 
conspiracy theorist and military informant, so I thought my help on "Loose 
Change" would make it a better quality piece, something more mainstream 
people who aren't into conspiracies could really watch and take in.

I call it the gateway drug because it can take someone totally green to the 
information -- who believed Muslims carried out 9/11, that the World Trade 
Center was brought down because of jet fuel, and that the Pentagon was hit 
by a plane -- you put them in front of this movie, and 80 minutes later 
they are going to question it at least. Bottom line: They're going to 
question it. It makes people think. It made me think, so I wanted to make 
other people think.

SLENSKE: When you got back from Iraq did you know you wanted to go work on 
the film?

ROWE: No, I went back to work. I was training. That's what you do. When 
you're not deployed, you're in the rear either fixing your gear or using 
your gear. I was stationed in Fort Campbell, Ky., the whole four years 
besides the time I was overseas. When you're back from overseas you get a 
month off, you clean your gear, and then go fight again.

SLENSKE: Didn't you ever stop and think, "Wait, Dylan is just a kid"?

ROWE: Yeah, several times. I thought, I'm in the military, I know stuff. 
But Dylan was way more informed than me. Like I said, I'm getting the Army 
Times, I'm getting the AFN, and now it's out. It's reported that the 
government spent millions of dollars spinning false articles to newspapers 
across the world. So who's to say the Armed Forces Network and the Army 
Times aren't chockfull of bullshit?

SLENSKE: How prevalent is that mindset in the Army?

ROWE: That they know what's going on?

SLENSKE: Yeah?

ROWE: It's 98 percent. It's a fantasy world those people live in. I mean 
it's really something. I call them infected. They can't come back to 
civilian life. They're like, "You can't get out of the Army, you ain't 
gonna get no job, you ain't gonna do nothing. You gonna work at Burger 
King. What are you gonna do at Burger King? You still wear a uniform; you 
still get a haircut at Burger King. So why don't you just stay in the Army, 
join up, sign again, get $6,000." If you don't reenlist, they just make you 
sit in a chair. They made me sit in a chair for a week. Sit in that chair 
until you reenlist. I just sat there. "You want me to sit in this chair," I 
said, "I'll sit in this chair for a month, because in a month I'm out of here."

SLENSKE: When you came back, was there anything that really bothered you 
about the American public?

ROWE: Yeah, their ability to believe the B.S. they see on TV. They're so in 
tune with their television and CNN and Fox News and the New York Post. They 
watch the news and the news reporter, whoever it is, forms an opinion for 
them. Take the release of the 
<http://www.youtube.com/watch?v=aV1OAKmmQLc&mode=related&search=pentagon%20cnn>Pentagon
 
video. CNN had been bashing conspiracies all day because people kept 
writing in about conspiracy theories. They build it up for two hours, then 
they show the video, then Jamie McIntyre, who we actually use in our video 
says, "All right, there's the plane, you can see it. There's the vapor 
trail, and there's the explosion. They only shoot in half-second frames; 
it's the only shot of the Pentagon. We'll be right back to cover more of 
this. This is undisputed proof that a plane hit the Pentagon."

They go to commercial, and instead of coming back and going to Flight 77, 
they go to "American Idol." They just implant the idea, there's Jamie 
McIntyre saying he sees a 757 flying into the Pentagon, and then they 
switch to "American Idol." So then when someone says there's no plane that 
hit the Pentagon, someone else can say, "That's not true; I watched CNN 
this afternoon. Jamie McIntyre saw the plane; he showed me." People believe 
anything because it's on CNN.

SLENSKE: What do you think about the Popular Mechanics 
<http://www.popularmechanics.com/science/defense/1227842.html>cover story 
about "Debunking 9/11 Myths"?

ROWE: That's a good article. It covers some good information, but it 
directly takes away from some of the facts. It states that NATO scrambled 
planes at one time that could've intercepted the planes but couldn't 
because they couldn't reach them in time. That's bullshit. That article 
reports they only would've had to have flown at 24 percent of their 
full-blower, and an F15 flies at 1,800 mph. You're telling me when the 
first plane was hijacked at 8:20 a.m. until 9:45, when the plane was flown 
into the Pentagon, you're telling me that not one F-15 could be scrambled 
and taken down one of those planes. Not to mention the ("Debunking 9/11 
Myths") piece stands on the 
<http://911research.wtc7.net/disinfo/experts/articles/eagar_nova/nova_eagar2.html>Nova
 
theory (the "Pancake Theory") that one floor collapsed on another floor 
creating a succession of collapses where the towers fell.

If that's true, you have a 75-story office building untouched by fuel, 
fire, any debris whatsoever. You have a 30-story chunk above that, which is 
also untouched. You have the 78th to 82nd floor, which is on fire. Think 
about that. You have a 70-something story office building, untouched, 
unscathed by fuel. You're going to tell me that the steel supposedly 
weakened, fell on one floor, on top of another floor, on top of another 
floor, for 78 floors, reaching the ground floor, and fell in 9.2 seconds. 
9.2 seconds is the exact rate of freefall for a building that tall, which 
is 1,368 feet tall.

If you take <http://en.wikipedia.org/wiki/Two_New_Sciences>Galileo's Law of 
Falling Bodies and you calculate the distance by the time it takes to fall, 
it's 9.2 seconds. That means that all those floors fell without any 
resistance from any of those untouched floors below it. It's completely 
impossible. Not only do you have to do that, you just have to watch the 
collapse of the towers. You can see the bombs going off. It is so obvious. 
It's an umbrella theory. You blow up the top to conceal what's going on 
beneath it.

SLENSKE: The "Blair Witch Project" also looked real to people who were in 
on the documentary preceding it. It totally worked. The first time you 
watch it, it grabs you. But "Loose Change" isn't meant to be fictional. 
It's a watchable film, but what do you expect people to do with it?

ROWE: What I encourage people to do is go out and research it themselves. 
We don't ever come out and say that everything we say is 100 percent. We 
know there are errors in the documentary, and we've actually left them in 
there so that people discredit us and do the research for themselves -- the 
B52 (remarked to have flown into the Empire State Building), the use of 
Wikipedia, things like that. We left them in there so people will want to 
discredit us and go out and research the events yourself and come up with 
your own conclusions. That's our whole goal, to make Americans think. To 
wake up from the 16 amps of your television to watch something and get a 
passion in something again.

And that's what America has always been about. From the Vietnam protests … 
it's always been about a passion. And now we're trying to build that 
passion in people, to wake up, to stop watching television, to stop reading 
the crappy newspapers, and go online and find those declassified documents. 
Go find the scientists that aren't young filmmakers, but the ones after 
Steven E. Jones at BYU, who has steel from the World Trade Center and has 
conducted tests on the steel. And it's come to the point, over and over 
again, that what they (the 9-11 Commission) say can't be true. That it had 
to be brought down by controlled demolition. Our whole goal is to wake 
Americans up to do something about it.

SLENSKE: What do you say to people who'd say you're doing this to make a 
dollar?

ROWE: You should see my dilapidated house in upstate New York. I drive a 
Ford F-150 that has a tape player. We sell DVDs, we make money, but we just 
give the shit away because we don't want to be war profiteers. We're not 
about making money on the whole thing -- we're about getting information 
out. That's why we've turned down seven figures, more than once, from 
people looking to buy our film and put it in theaters -- because they don't 
care about it. They only see the moneymaking aspect of it.

We want to make sure it's handled correctly. That the movie gets out 100 
percent accurate when it comes out in theaters, because it's obviously not 
now, and that it's projected in the right light so people aren't threatened 
by it. If we coordinate 500 theaters across the country to start playing 
it, it's going to start a wave. We're going to have a whole weekend of 
events on 9/11 just to raise awareness among New Yorkers so that we can try 
to get an independent investigation to look back into the facts that every 
news agency in the world has ignored. Americans are going to be pissed.

source:
http://www.alternet.org/story/40476/

===


-muslim voice-
______________________________________
BECAUSE YOU HAVE THE RIGHT TO KNOW  

[Non-text portions of this message have been removed]



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