Malang nian nasib Mogi Darusman,
  Tak satu pun media cetak atau elektronik (atau infotainment) yang mengabarkan 
kematiannya.
  Padahal saya mendapat sms duka pertamakali dari Bapak Infotainment Indonesia 
lho ! 
  Hmmm.................
  Tapi cobalah baca pengakuan seorang anthropolog asing tentang Mogi Darusman :
   
  What................
  happened to Mogi Darusman?
They see him here. They see him there. Mogi Darusman sings his protest songs 
everywhere. Doug Miles reports.
    MOGI DARUSMAN’s last public appearance was on an open- air stage in Jakarta 
a few months before the May elections. A Surabayan pop group, Lemon Trees, was 
giving a concert and the lead singer, Gombloh, had stopped to read a note. Then 
he announced: ‘Our friend Mogi is out there somewhere. Come on up, Mogi.’
  Thunderous applause greeted the invitation and continued long after his 
companions had carried Mogi through the audience and thrown him bodily over the 
footlights.
  ‘But I can’t sing,’ protested Mogi in mock humility. ‘Why?’ roared the crowd. 
‘Well... rm not wearing shoes. Can’t afford to replace the last pair the police 
took from me. His banter with the audience continued in the roughest of 
colloquial Sundanese till at last he accepted the loan of a guitar and strummed 
a few bars. He started to sing,
  ‘I don’t want a president whose name is Su... Suhar... Likes to take bribes. 
How does he conceal the notoriety of his tien (the first name of President 
Suharto’ s wife and the initial syllable of the word for practices)?’
  No translation can effectively render the political puns with which Mogi 
delights his audience. Probably no other protest singer in Indonesia names 
names with as much directness when reciting the record of corruption of the 
Suharto government.
  Mogi sings of the ‘terror’ which books inflict on the government minister who 
banned Pramoedya’ s novels from the universities. Mogi was singing about ‘Pram’ 
at a time when no newspaper or magazine dared defy a government ban on 
discussion of his books.
  A few months earlier a similar ban had silenced press comment on the sentence 
of three years jail on a labourer who had allegedly over-charged a woman the 
equivalent of$3 for shifting furniture from a truck to her house.
  The woman was the wife of a high official in the attorney-general’s 
department Mogi’ s lyrics contrasted the worker’s offence with the crimes of 
those who pocket millions by abusing the power of office — and go unpunished.
  In 1979 two cassette albums were recorded featuring Mogi as lyricist, 
composer and vocalist Police quickly seized all the copies they could find. No 
record company has dared to deal with him since. All of his applications for 
permission to advertise and arrange venues for public appearance have been 
refused.
  So, Mogi plays cuckoo. He simply turns up in other people’s concerts. It is a 
strategy which entails great risk.
  After his appearance with the Surabayan group, Mogi was resting backstage. 
Suddenly he was attacked by three men. He broke away and climbed over a fence 
but was quickly grabbed by another three men. They threw him into a truck and 
took turns to pummel his head and body before throwing him out at speed.
  Mogi dropped out of classical music studies at the Viennese Conservatorium 10 
years ago to sing country-western. Several magazines hailed him as the ‘Neil 
Diamond of Europe’. His records ‘Puppet of life’, ‘Once there was a girl’ and 
‘You’re not the same’ became hits in Austria (which he represented at several 
international competitions. He returned to his hometown of Bandung in central 
Java in 1978.
  Soon his style changed. Now he scorns emphasis on the simpering romance and 
glamour, so prevalent in the contemporary Indonesian pop scene. His European 
fans might wonder ‘Whatever happened to Mogi Darusman?’ Today they would barely 
recognise this guerilla of the Indonesian folk music scene.
  Doug Miles is a member of the anthropology department of Sydney University.

  
 

       
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